Quercus – Heart with Bread (Review)

QuercusQuercus are from the Czech Republic and play funeral doom. This is their third album.

Funeral doom! When you want slow, miserable and despondent; accept no substitute.

Growled vocals that sound like something is straining against the seams of reality cry out, pained and desperate, from beneath the heavy, distorted guitars. Winding leads flow around the music’s murky foundations, working alongside a sturdy rhythm section that’s in no hurry to get anywhere. After all, what’s the point? Continue reading “Quercus – Heart with Bread (Review)”

Nadja – Sv (Review)

NadjaThis is the latest release from Nadja, a doom/drone duo from Canada.

If you haven’t encountered the highly prolific and individual Nadja before, then I highly recommend them. Having amassed a pretty dauntingly huge discography over the years, Nadja have released some impressive music in their time. Continue reading “Nadja – Sv (Review)”

Omega Monolith – Fungus (Review)

Omega MonolithThis is the latest album by Greek Doom Rockers Omega Monolith.

Omega Monolith fuse Doom and Heavy/Progressive Rock together to create three sprawling tracks that constitute Fungus. At 43 minutes in length, their musical vision gets a thorough exploration and no avenue for drawn-out claustrophobia is left out.

Fungus is born out of Continue reading “Omega Monolith – Fungus (Review)”

Black Royal – The Summoning Pt. 2 (Review)

Black RoyalThis is the second EP from Finnish Death/Sludge Metal band Black Royal.

Black Royal have an interesting style, effectively combining primitive 90s Death Metal with a Sludge/Stoner influence. It’s definitely the path less-travelled and makes for a very enjoyable journey.

The vocals consist of rough, Stoner-esque, semi-cleans, mixed in with deeper growls that have more of a Death Metal slant. Continue reading “Black Royal – The Summoning Pt. 2 (Review)”

Goddess – The Withering (Review)

GoddessGoddess are a Norwegian progressive Doom rock band, and this is their début EP.

Originally appearing in 2014, this is a re-released, remixed, remastered and expanded version.  As this is my first exposure to Goddess, I can only assume these changes have improved The Withering, as it is quite an impressive release.

This is one song Continue reading “Goddess – The Withering (Review)”

Interview with Boss Keloid

Boss Keloid Logo

I’m not sure how many times I’ve listened to Herb Your Enthusiasm at this point, but all I know is that it’s as infectious as it is crushing, and if it doesn’t end up in my end of year list for 2016 I’ll be hugely shocked. So when I got the opportunity to dig a bit deeper into the band, I took it. Here’s Alex Hurst, vocalist of Boss Keloid…

Introduce us to Boss Keloid!

Boss Keloid are
Alex Hurst – Vocals
Paul Swarbrick – Guitar
Adam Swarbrick – Bass
Ste Arands – Drums

What are your influences?The

Influences in this band are a tad crazy as we all love different types of music but there is a common ground when it comes to anything with a good groove and beat. Influences I could list would have to be Bob Marley / Sleep / OM / Neurosis / Steely Dan / Anything Mike Patton is involved in / Will Haven / King Crimson / Secret Chiefs 3 / Kyuss. Continue reading “Interview with Boss Keloid”

Fister/Teeth – Split (Review)

Fister TeethFister and Teeth are both bands from the US, and they’ve teamed up for this split release.

Fister start us off with one track – We All Die Tonight. Although they’ve never graced this site before, Fister’s brand of Sludgy Doom is most enjoyable, and this song is no different.

Continue reading “Fister/Teeth – Split (Review)”

Sourvein – Aquatic Occult (Review)

SourveinThis is the fourth album from these US Sludge/Doom veterans.

Sourvein return with an aquatic-themed album, it seems.

The band play their sludge with a raw energy that seems to tap into something primeval and old, probably something lurking in the deepest waters in the darkest ocean.

With a heavy sound that’s warmly analogue, these songs have a kind of retro vibe to them that manages to eschew any of the normal bullshit trappings that such a term usually involves. Rather, what we have here is music that’s honest, visceral and not afraid to get dirty, (wet?).

The songs have groove and melody, both of which are used well throughout the playing time. It’s an endearing mix of influences that combine on this release, with everything from Electric Wizard, Eyehategod, Black Sabbath, Acid Bath and Mastodon making it into the melting pot.

Short tracks don’t outstay their welcome, and Sourvein know how to flourish a song with a relatively short playing time for maximum effect.

There are some quality and earthy, (aquatic?), guitar solos included, alongside a bass that just sounds really, really good.

The singer reveals himself to be quite versatile, with clean and rough singing, as well as throaty shouts used where necessary. He has a lot of presence and charisma, which can also be said of the songs as a whole. Taken together the music and the vocal performance make for a very strong collection of tracks that are both catchy and memorable.

Well, this is very, very enjoyable. Sourvein stick out from the crowd as having something a bit special and being a bit different from the norm.

You gotta get this, or Poseidon will be pissed.