Monolithe are a French doom band, and this is their sixth album.
Monolithe are no stranger to this site, having been covered previously here, here and here. This latest album is the second part, a companion release, as it were, to their last one, Epsilon Aurigae, and continues their evolution away from their original funeral doom style into uncharted territories.
Like Epsilon Aurigae, Zeta Reticuli sees the band keeping aspects of funeral doom, but adding increasingly progressive influences to their sound. It also sees them keeping the same format – three songs, 15:00 minutes each, exactly. Continue reading “Monolithe – Zeta Reticuli (Review)”
This is the début album from Messa, a doom/drone metal band from Italy.
Messa provide the listener with almost an hour of occult retro doom and dark ambience.
This is akin to a strange-yet-effective mix of Sunn O))) and Pentagram, with deliciously seductive female vocals included. Some tracks are dark ambient/drone, full of mysterious atmospheres and distorted malice, while others take Continue reading “Messa – Belfry (Review)”
This is the début EP from Unothera, who are a melodic doom/death band from the Netherlands.
This EP consists of 5 tracks – two actual songs and three piano movements.
The songs take influence from the likes of My Dying Bride, Katatonia and Paradise Lost, with sorrowful atmosphere aplenty. Keyboards are also used to add depth to the misery that the band exude, and I think these are particularly Continue reading “Unothera – Broken (Review)”
Quercus are from the Czech Republic and play funeral doom. This is their third album.
Funeral doom! When you want slow, miserable and despondent; accept no substitute.
Growled vocals that sound like something is straining against the seams of reality cry out, pained and desperate, from beneath the heavy, distorted guitars. Winding leads flow around the music’s murky foundations, working alongside a sturdy rhythm section that’s in no hurry to get anywhere. After all, what’s the point? Continue reading “Quercus – Heart with Bread (Review)”
Goddess are a Norwegian progressive Doom rock band, and this is their début EP.
Originally appearing in 2014, this is a re-released, remixed, remastered and expanded version. As this is my first exposure to Goddess, I can only assume these changes have improved The Withering, as it is quite an impressive release.
This is the début album from Norwegian Symphonic Doom/Death band Abyssic.
Well this is an absolute monster of an album. At 79 minutes in length and featuring just four tracks, Abyssic certainly know how to provide the listener with a lot to get their teeth into.
A decent stylistic reference point for Abyssic would initially be the old Peaceville roster, with bands like Anathema, My Dying Bride and Paradise Lost all providing an idea of what the base of the band is like. Only longer and more epic, of course. Once you have this in your mind’s eye, mix in some more modern, epic funeral Doom from the likes of Monolithe, as well as a sterling Classical influence, and you’ll have a good idea of what Abyssic are getting up to here.
The symphonic aspects of Abyssic’s sound are big, bold and unashamedly impressive. Abyssic don’t hold back, and nor should they. This is a band that manage to incorporate the symphonic and Classical elements into their sound in a holistic and complete way, rather than having them just added on at the end. The music easily takes on a cinematic legendary feel and each of these long songs feels like a story. Nay, a saga.
A Winter’s Tale benefits from a huge and lavish production that allows all of the different parts of their repertoire to sound clear and crushing. Thick guitars and textured keyboards merge together with the crushing drums to provide the listener with a very engaging and absorbing listen. The songs may be long, but if you have the time to spare for them then there is so much here to enjoy.
For the most part the vocals are deep, dark growls, of the kind that are pretty much standard for Death/Doom. That’s not to say they’re not effective or don’t do their job though.
Long they may be, but these songs justify their own existence by being so damn impressive and well-put together. The band know their stuff, that’s for sure. Amazingly, given the length, these tracks don’t get boring and the lavish, lush orchestration is a constant joy to listen to, especially when combined with the heaviness of the guitars.
This atmospheric album really nails the best parts of the Death/Doom style for me, and the overwrought symphonic elements are just candy to my ears, pulling the whole thing up to another level.
Monolithe are a French doom band, and this is their sixth album.
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