This is the début album from this Swedish death metal band.
Their début EP The Insurrection was a brief blast of authentic Swedish death metal, complete with chainsaw guitars, bestial vocals and brutal delivery. As I asked at the time; what’s not to like here?
So, onto their full-length release, Age of the Fanatics. Well, the band have progressed on from what they started on their EP; now they have actually Continue reading “Gutter Instinct – Age of the Fanatics (Review)”
This is the fourth album from Czech band Panychida, who play black metal.
Panychida’s 2013 release Grief for an Idol was an enjoyable slab of Pagan-influenced black metal, which is why I have been looking forward to their latest release.
Let’s start off with the album artwork; I like a good cover and this is one Continue reading “Panychida – Haereticalia – The Night Battles (Review)”
Uhtcearu are a melodic black metal band from the US. This is their début album.
The production on The Plight of Wanderers is enough to turn blood to pure ice. It’s the perfect kind of recording that allows for that intimate sense of frozen fragility and icy winds to permeate every fibre of your being, while at the same time retaining enough clarity and power to showcase the band in the best darkened light. Also, the bass can be heard. Bonus. Continue reading “Uhtcearu – The Plight of Wanderers (Review)”
Bizarre are a Spanish death metal band and this is their début release.
Featuring members of Onirophagus, Famishgod and Elderdawn, this new band peddle a nice line in old-school death metal that’s dark, foetid and reeks of decay.
The vocals consist of a combination of utterly illegible Continue reading “Bizarre – Inner Necropolis (Review)”
Abisso are a black metal band from Italy and this is their début album.
Abisso specialise in underground atmospheric black metal that has an emphasis on the murk and grime of the underworld, rather than the starry, keyboard enhanced heavens that a lot of atmospheric black metal sets its sights on.
As such, this album contains atmospheric dissonance with Continue reading “Abisso – WRNSS (Review)”
Arallu are a band that have been releasing quality music for almost 20 years, and their fifth album, Geniewar, sees the band losing no momentum or creative power. It’s an engrossing listen, and by rights the band should be at least twice as popular as they actually are. With that in mind, let’s take the time to catch up with Arallu and find out a bit more about what makes this very individual black metal band tick…
Hello from Jerusalem.
Arallu was founded in Jerusalem, in the middle of the conflict between the religions around the old city of Jerusalem in the 90s. When you live as the terror is surrounding you. Want it or not, it inspires you whatever you do. Continue reading “Interview with Arallu”
Sarcoptes are a black metal band from the US. This is their début album.
This record makes me feel nostalgic. The band play a classic style of black metal that incorporates elements of the 90s symphonic style alongside a few thrashier bits here and there. It really does take me back to the early days of bands like Cradle of Filth, Emperor, Bal-Sagoth, Hecate Enthroned, Dimmu Borgir, etc.
The singer has Continue reading “Sarcoptes – Songs and Dances of Death (Review)”
Seedna are an atmospheric black metal band from Sweden. This is their third album.
I like music like this; some of my favourite albums are those where it sounds as if the band are taking the listener on a journey, and Forlorn is very much a release like this.
Seedna play atmospheric black metal that’s big on emotional content and Continue reading “Seedna – Forlorn (Review)”
This is the fifth album from this Israeli black metal band.
Ever since I first heard Satanic War in Jerusalem back in 2002, it was immediately apparent that there was something different, something special, about Arallu’s music. Sure, it was black metal and contained recognisably black metal components, but there was also something extra that the band had. They’ve nurtured and developed it over the years, and every time I hear them I’m reminded of just how individual they are.
So basically, we get black metal in the recognisable format, but twisted with Continue reading “Arallu – Geniewar (Review)”
This is the fifth album from this Finnish black metal horde.
There’s something remarkably pure about Behexen that manages to encapsulate everything I like about orthodox black metal, without ever becoming stale or tired.
There’s a lot of music on The Poisonous Path; 58 minutes of utter Continue reading “Behexen – The Poisonous Path (Review)”
Wonderbox Metal 