This is the third album from Swedish black metal band Night Crowned.
I thoroughly enjoyed 2021’s Hädanfärd, and my appreciation for its dark charms has only increased over time. Tales gives us 43 minutes of new material, and I have been looking forward to hearing what it has to offer. Continue reading “Night Crowned – Tales (Review)”
Heretoir are a post-black metal band from Germany and this is their third album.
Nightsphere contains 42 minutes of atmospheric post-black metal. Heretoir have an emotive, textured delivery, and across this album they seriously impress. Continue reading “Heretoir – Nightsphere (Review)”
This is the second album from Enevelde, a Norwegian solo black metal band.
2020’s Enevelde was an enjoyable record that made a good impression. Now the artist behind Enevelde has returned with 39 minutes of new material, showcasing the sort of well-rounded black metal that’s a definite cut above the norm. Continue reading “Enevelde – En Gildere Død (Review)”
This is the second album from US one-woman black metal band Feminizer.
Beneath the Harm is a 43-minute journey into nightmare and pain, one that’s frequently gorgeous, despite its venomous bite. It’s a multifaceted exploration of raw blackened expression. It’s one that embraces the artist’s vision wholly, resulting in material that drips emotion and passion through every devastating pore. Continue reading “Feminizer – Beneath the Harm (Review)”
Bihargam are a black metal band from the US and this is their latest EP.
Following on from 2020’s Ove Tenebrae, Executioner Star contains two new songs and a Soundgarden cover, making for a total duration of a little over 16 minutes. Continue reading “Bihargam – Executioner Star (Review)”
This is the third album from French black metallers Pénitence Onirique.
Following on from 2016’s V.I.T.R.I.O.L. and 2019’s Vestige comes Nature Morte; 46 minutes of glorious celestial violence and deep immersive feeling. Oh my, this is a good one. Continue reading “Pénitence Onirique – Nature Morte (Review)”
This is the second album from Swiss solo black metal act Impalement.
Blending together black and death metal into 41 minutes of dark malevolence and infernal might, The Dawn of Blackened Death is an album of powerful presence. Continue reading “Impalement – The Dawn of Blackened Death (Review)”
This is the fifth album from US black metal band Wayfarer.
After such a strong run of albums – 2014’s Children of the Iron Age, 2016’s Old Souls, 2018’s World’s Blood, and 2020’s A Romance with Violence – expectations are high for American Gothic. Continue reading “Wayfarer – American Gothic (Review)”
This is the third album from international black metallers Asagraum.
After thoroughly enjoying 2017’s Potestas Magicum Diaboli and 2019’s Dawn of Infinite Fire, (especially the latter), Veil of Death, Ruptured is one I’ve been looking forward to. It has surpassed my expectations too, let me tell you that now. Continue reading “Asagraum – Veil of Death, Ruptured (Review)”
Laster are a, (sort of), black metal band from the Netherlands and this is their fourth album.
It’s been a while since I’ve caught up with Laster. 2017’s Ons Vrije Fatum, to be precise, (with 2014’s De Verste Verte Is Hier and their 2016 split with Wederganger before that). Since then they’ve had another album, (and an EP), that I haven’t heard, but that apparently saw an increase in the avant-garde and experimental aspects of their sound. So what does Andermans Mijne present us with? Continue reading “Laster – Andermans Mijne (Review)”
Wonderbox Metal 