Dusk Cult are an Australian black metal band and this is their second album.
Brought to us by members of Be’lakor and Rainshadow, Night Sky Revelations contains 43 minutes of enticing black metal. Dusk Cult have impressed with their brand of blackened extremity. Continue reading “Dusk Cult – Night Sky Revelations (Review)”
This is the debut album from French black metallers Beyond the Permafrost.
Fallen from the Throne contains 33 minutes of black metal that’s influenced by the traditional style and second wave era. Beyond the Permafrost have created an album that should easily find favour with any adherent of the old-school blackened arts. Continue reading “Beyond the Permafrost – Fallen from the Throne (Review)”
This is the second album from US one-man black metal band Alghol.
Night Eternal contains 40 minutes of second wave black metal, delivered with an authentic skill and passion that’s raw and honest. It’s also catchy and moreish as all Hell. Continue reading “Alghol – Night Eternal (Review)”
Malauriu and Lykten are both black metal bands from Italy and this is their split.
Malauriu are first up, contributing three songs, lasting 10 minutes in total. Continue reading “Malauriu/Lykten – Split (Review)”
This is the debut album from one-man US black metal band Geist of Ouachita.
Imprisoned in the Graven Wood contains 32 minutes of raw, unfriendly black metal. Rooted in the 90s, but not limited to just that era, this is black metal with melodic sensibilities and a bladed emotive sheen. Continue reading “Geist of Ouachita – Imprisoned in the Graven Wood (Review)”
Miasmes are a French black metal band and this is their debut album.
After how much I enjoyed last year’s debut EP Vermines, Répugnance is an album I have been looking forward to. The band have delivered the goods, as I was hoping they would, and Répugnance gives us 42 minutes of new material, (or mostly new – Pestilence makes a reappearance from the EP). Continue reading “Miasmes – Répugnance (Review)”
Dratna is a solo black metal band from Northern Ireland and this is his second album.
I enjoyed 2020’s Druid Winds & the Fall of the Celtic Gods, but missed Dratna’s debut album, so Fomóraigh is the perfect opportunity for me to catch back up with the band. The 39 minutes of material on the album reveals a well-rounded and well-developed slice of atmospheric black metal. Continue reading “Dratna – Fomóraigh (Review)”
This is the fourth album from Finnish black metal act Ondfødt.
I always enjoy catching up with Ondfødt. 2014’s Hexkonst, 2019’s Dödsrikets Kallelse, and 2021’s Norden are all records that I enjoyed, so it made sense for me to want to check out Det Österbottniska Mörkret too. I’ll say upfront that this has turned out to be Ondfødt’s most professional, accomplished, and enjoyable record. Continue reading “Ondfødt – Det Österbottniska Mörkret (Review)”
Hexenschorf is a one-man black metal band from the US, and this is his debut album.
The artist behind Hexenshorf plays black metal in the classic second wave style. Certain Rapture provides us with 28 minutes of raw hostility. Continue reading “Hexenschorf – Certain Rapture (Review)”
Yskelgroth are a black metal band from Spain and this is their second album.
Featuring the vocalist from the mighty Avulsed, Bleeding of the Hideous is a 33-minute mix of black and death metal that’s ferocious and harsh, yet not without depth and substance. Continue reading “Yskelgroth – Bleeding of the Hideous (Review)”
Wonderbox Metal 