Wormlust – The Feral Wisdom (Review)

WormlustThis is eerie, progressive Black Metal. Imagine a more aggressive Blut Aus Nord in some ways; Blut Aus Nord crossed with Mayhem perhaps. A good starting point. In fact I’d like to coin the phrase Ambient Aggressive to describe them. They have plenty of ethereal, ambient-esque feelings and melodies in them, whilst having an underlying aggressive core. First song Sex Augu, Tolf Stjornur is a classic example of this – blasting drums, frenetic bass, with insanity-inducing almost-ambient guitar work/noise on top.

The album cover initially can make you wonder what kind of music is contained within, but when you’re listening it makes sense – spooky, trippy, insane, out-of-the-ordinary. This is a brand of Black Metal that is much more unique and interesting than most. They also do mellow very well. There is not an abundance of it; but in between bouts of discordance and mayhem there are quieter moments, (A Altari Meistarans in particular), and the atmosphere here is suitably unhinged as you may expect, only without the chaos.

The melodies used throughout this album are all high-quality and are designed to slowly send the listener insane, or at the very least to wrench up the tension levels. It’s this combination of brilliance and craziness that, for me, marks this as an exceptional release. That and the fact that the band make it sound so effortless. An album such as this could easily sound like a patchwork of conflicting styles in lesser hands. In the hands of artisans however, we have a soundscape birthed from insanity and directed by demented geniuses who know how to control the chaos for their own ends.

Wormlust are like the wind; capable of going from a gentle breeze to howling terror in the space of a second. As such they are liable to scare the casual listener away. Those who persevere however will be richly rewarded.

Abominant – Onward to Annihilation (Review)

AbominantAbominant play blackened Death Metal – theirs is primarily a Death Metal style that mixes both brutality and melodies but also has enough elements of Black Metal to be considered blackened rather than just pure Death Metal. Genre pigeon-holing notwithstanding; this is a premier release by these USDM veterans.

I was hoping that this album was going to be a good one, but in all honesty I was unprepared for how much I actually liked it. The songs have a certain feeling that allow them to rub shoulders with the best that Death Metal has to offer and not feel out of place. They may rarely be uttered in the same breath as bands such as Cannibal Corpse, Deicide, Morbid Angel, Nile, (etc). as titans of the genre, but then to the trained listener Abominant actually sound very little like those bands. They do, however, stand quite nicely on their own laurels.

This release should satisfy any fan of extreme metal. Strong musicianship? Varied vocals? Songwriting skills? Dynamics? Brutality? Powerful melodies? Hypocrisy cover (Left to Rot)? Unexpected-80’s-speed-metal-song (Hold Your Ground)? All of these and more are the treasures awaiting the unprepared listener!

Along with the recent release by Nephren-Ka this is the strongest Death Metal album I have heard recently. You need this.

https://www.facebook.com/pages/Abominant/152430868173200

Perditor – Divine Riddles (Review)

PerditorPerditor are a Black Metal band from Holland. They play a razor-sharp brand of Black Metal that has a palpable aura of menace about it. Indeed; this is not for the faint-hearted. This is an hour of evil music.

Underneath the grimness though is not just a band going through the motions; this is the real deal and thankfully the music can more than keep up with the passion on display here. The songs are well-written and complex enough to keep interest while still having a scything, brutal, black heart. There are plenty of well-thought out blackened melodies on offer here, and a lot of ideas that elevate this release far above the run-of-the-mill.

It would be criminal to not mention the vocals as well.  While sticking predominantly to the style that one would expect for a Black Metal album; the vocalist is highly accomplished and has a surprising range and versatility that, like the music, is much better than the average.

With this album Perditor acknowledge the past while stamping their own identity on the Black Metal template; twisting it to serve their will rather than being a slave to it. And thus true power and purpose was born.

This is a superior album in every way. If you have a taste for the blackened art then you should seek this release out immediately. There is a depth and longevity to this album that you will not want to miss. Highly recommended.

Favourite track: Servus Diaboli.

Scalpel – Sorrow and Skin (Review)

ScalpelThis is an album that pulls no punches; ultra-brutal underground Death Metal from the US.

Reminiscent of other US bands like Origin; this is nonetheless a solid release that gives the listener a suitable brutality-fix when needed. They know how to slow things down on occasion also. “Skullscraper” is a good example of this – the slower, brooding part at the start of the song works really well.

Although everyone in the band knows their instruments the drummer in particular seems to be in overdrive mode for most of the time. Pummelling blast beats and furious double-bass are all executed with power and precision.

Favourite Track: Sorrow and Skin.

Check this band out – if you like your metal brutal then this should be for you.

https://www.facebook.com/Scalpelofficial

http://www.scalpel.us/Home.html

Insain – Spiritual Rebirth (Review)

InsainInsain are a brutal Death Metal band from France.  The album starts with a nice, slow, ease-in before entering full-on brutality mode proceeding to pummel the listener into submission, in a thoroughly enjoyable way that only this style of music can do.

This album has a very nice sound – the best way I can describe it is satisfying. As the songs play and the brutality unveils, it feels like a very satisfying listen. This is the kind of album that reminds you why you first got into Death Metal in the first place, and makes you hungry for more.

This is an album that grabs you immediately but it’s also clear that it will stand the test of time and still remain an enjoyable listen down the line. Riffs, beats and (brutal) melodies are in abundance with both simplicity and technicality being displayed.

Special note should go to the vocalist, who I feel has done a particularly good job and whose vocals are very satisfying (there’s that word again) indeed.

Apparently there’s a new album in the works for the near future – after hearing Spiritual Rebirth I can safely say that this is something every Death Metal fan should be looking forward to.

Monolithe – Interlude Second (Review)

MonolitheAnother solid release from Monolithe. They really do play some exceptional doom. After recently getting their Monolithe II album I knew this was going to be good and I was not disappointed.

If you have not encountered Monolithe before they play crawling, mysterious Doom with an emphasis on the heavy.

This is only a two-track EP ‘interlude’ between their main releases, but there is still over 36 minutes of music here – all of it of a high quality and well worth a purchase. Monolithe are not a band for everyone – the repetitive drone-esque heaviness will just be more than some people can stomach. Never-the-less; devotees of all things slow will find a goldmine of doom to be found in their work, and this EP is fitting as a good introduction to the band and as preparation for the doom-a-thons that are their albums.

Interested? Have a listen and then hop over to Bandcamp to get it – it’s currently only €0.50 and an absolute steal at that price.

Nephren-Ka – The Fall of Omnius (Review)

Nephren-KaThere seems to be an upswell of talent in the extreme metal world in France of late. Nephren-Ka are one such band.

Easily boasting enough talent, ideas and skill to propel them to the upper echelons of the Death Metal world; given the chance this band could, (and should), go far.

Although this is, in essence, brutal Death Metal; there is so much more going on here. Elements of most styles of extreme metal are included in the mix at some point or another, (all within a Death Metal framework), with plenty of small touches, flourishes and individuality to make this release stand out head and shoulders above the pack.

The band know how to blast, but crucially also when not to. “Mastering the Voice” for example contains some lovely slow, crawling bits that rival the best similar parts that Cryptopsy have ever done. Some nice solos are scattered around, as well as enough atmosphere to give the album enough variety and interest but never allows it to go off-track and become something it shouldn’t.

The songwriting is top-notch, with plenty of dynamics and riffs to hold the attention and differentiate the individual songs from each other. The vocals also show a pleasing amount of variety, spanning the spectrum from deep to high, as necessary for the requirements of the song.

This is without a shadow of a doubt one of the best Death Metal albums I have listened to in a while, and I unreservedly recommend it for any and all fans of extreme metal. Top stuff.

Eye of Solitude – Sui Caedere (Review)

Eye of SolitudeUK-based Eye of Solitude play slow, dirge-y funeral doom. Imagine a band like Esoteric only with some Paradise Lost-esque riffs/melodies, topped off with some very nice vocals.  Ahh yes; the vocals. The vocals are absolutely relentless – pure, deep, utterly uncompromising growls. The vocals fit the music perfectly and almost act as another instrument used to flatten the listener with their oppressive aural assault.

As well as the slow, crawling, very-heavy nature of the music, Eye of Solitude display a welcome grasp of songcraft and melody. This means that the songs don’t get boring or outstay their welcome, as well as having an emotional content which enhances the general feeling of the album to the point where even on the first listen you know that this is going to be a ‘grower’ of an album; the more you listen to it the better it gets.

Interspersed with all of the heaviness are also some quieter, more introspective moments that allow the listener a brief respite before being steamrollered once more by the crushing doom on offer here. It all works very well. “A Note to Say Farewell” is a great example of this.

This is the kind of album I can just sit back; turn up loud; and just let the soundscapes wash over me. The sheer feeling of the tracks on display here; the combination of songwriting, melody and atmosphere that gives the album something special and definitely makes it stand out from its peers.

Highly recommended. If you even vaguely like this genre of music then you will enjoy this band.