Aseethe are a doom band from the US. This is their second album.
I like Aseethe. Over the years they’ve produced a very respectable body of work, one which is most enjoyable and should be checked out by anyone into doom with drone-like qualities and plenty of heaviness. Continue reading “Aseethe – Hopes of Failure (Review)”
Vanha are a doom/death metal band from Sweden. This is their debut album.
This is atmospheric doom metal with some death metal elements added in for extra bite, primarily in the vocal department.
Rooted in the old school doom/death style of the 90s, Vanha combine heaviness, melody and sorrowful keyboards to produce an album that manages to crush both physically and emotionally. Continue reading “Vanha – Within the Mist of Sorrow (Review)”
Revelations of Rain are a doom/death metal band from Russia. This is their fifth album.
This is music with a richly melodic streak running through it. Taking influence from the classic old-school doom/death bands in the 90s, the band pump out 8 tracks of heavy, emotive metal, full of dark colour and deep impression.
Delivered with a traditional authenticity for this kind of music, Revelations of Rain know Continue reading “Revelations of Rain – Akrasia (Review)”
This is the debut album from Ukrainian blackened death/doom band 1914.
I really enjoyed this band’s 2016 split with Minenwerfer, so thought it was time to catch up with their 2015 full-length album Eschatology of War.
With a World War I theme, Eschatology of War is a heavy, martial beast that relentlessly marches forwards overcoming all opposition with strength of numbers and a formidable will. Continue reading “1914 – Eschatology of War (Review)”
Suffer Yourself are Ukrainian/Swedish and play atmospheric doom/death metal. This is their second album.
This is atmospheric doom/death with an emphasis on long, slow songs that are filled with morbid beauty and hopeless despair.
The pace is torturously slow, but we like it that way. The band take their time to carefully build atmosphere through relentless heavy distortion and lighter, more restrained passages; frequently combined together. Continue reading “Suffer Yourself – Ectoplasm (Review)”
This is the third album from Soulburn, a predominantly black metal band from the Netherlands.
Featuring ex-members of Asphyx, this is a solid slab of prime-time metal that effectively mixes black and death metal, (with some doom), into a tasty 47 minutes. Continue reading “Soulburn – Earthless Pagan Spirit (Review)”
Green Bastard are a doom band from the US.
DOOM!
DOOOOM!
DOOOOOOOOM!
There, I’ve got that out of my system.
DOOOOOOOOOOOOOOOOOOM!
Okay, just one more, for fun’s sake. Continue reading “Green Bastard – Pyre (Review)”
This is the fifth album from Doomed, a German doom/death one-man project.
Although Doomed are essentially a one-man band, there are also a plethora of different guests on this release helping to flesh out his vision, (including members of Hail of Bullets, 11th Hour and Camel of Doom, apparently). Some of the guest vocal performances enhance and complement the main delivery of the songs, and once again show what an exciting prospect this band is. Continue reading “Doomed – Anna (Review)”
Black Tomb are a sludge/doom band from the US. This is their debut album.
Black Tomb appear to have congealed out of some dank, dark tar pit with the express purpose of creating bleak, filthy doom metal.
Think of Electric Wizard if they were a Continue reading “Black Tomb – Black Tomb (Review)”
This is the twelfth edition of the UK’s Damnation Festival, and although it may be cold outside, inside there’s more than enough incendiary metal to heat things up. Hopefully the recent preview whetted your appetite, and now it’s time to see how the real thing turned out…
It’s with great excitement and expectation that I await Attan’s arrival. From Nothing is such a colossal opening statement for a band that I can’t wait to see how it translates into the live environment. Continue reading “Damnation Festival – Leeds University, 05/11/16 (Live Review)”
Wonderbox Metal 