Desecrate the Faith play brutal death metal in the barbarous US style.
This is an unforgiving album that takes no prisoners and grants no mercies. If you’re into Suffocation, Defeated Sanity, Cannibal Corpse, Severe Torture, etc. then Desecrate the Faith should be right up your blood-soaked street. Continue reading
This is brutal death metal in the American style, with plenty of weight and muscularity in their sound. For fans of Defeated Sanity, Suffocation, Dying Fetus, Cannibal Corpse, Deeds of Flesh, Pyrexia, Internal Bleeding, etc.
The band offer up 17 minutes of Continue reading
Here we have a combination of relentlessly savage death metal mixed in with some USDM influences, giving the band some groove to go along with the pounding blast beats. I hear elements of Cannibal Corpse, Suffocation, Morbid Angel and Hate Eternal in their sound – all upgraded with a thoroughly modern delivery and precision of assault.
However, it’s the speed that is the real thing here. Unmerciful like to play fast, that’s for sure. The drumming is hugely Continue reading
This is 34 minutes of modern death metal that effectively combines speed and groove.
Cannibal Corpse-esque riffs mix with elements of deathcore and bands like The Kennedy Veil and Origin, as well as sprinklings of thrash metal here and there. The resultant music sounds like none of the above bands too much, although you can hear where their influences come from. That the band can clearly acknowledge Continue reading
With an album cover that screams 80s death metal, possibly with a bit of thrash mixed in, Epidemia actually reveal themselves to be much more of a brutal 90s proposition. Leprocomio is raw, ugly and mercilessly aggressive.
The songs on this 35 minute excursion into the torturelands are savage and give the listener a right old battering. When they’re not ploughing ahead at full speed, they have a rhythmic brutality that recall Continue reading
Combining some technicality and lots of brutality, Inherit Disease play a classic USDM style that allows them to showcase their love of the genre and all things brutal.
The music on Ephemeral combines speedy aggression with some chunky slam riffs, producing 39 minutes of utterly depraved brutality.
The singer’s vocals are sickeningly deep, stopping just short of descending into the kind of ridiculous pignoise burping that tends to ruin bands. His voice is as ugly and as gruesome as the music.
Ephemeral is unrelenting and harsh, rarely stopping for breath as it chops, hacks and carves its way through the tracks. There’s something very satisfying about this kind of music. It’s just so timelessly appealing; despite what other musical trends and moods might take you, Death Metal will always be there. Waiting. Lurking. Ready to strike.
I like that the more you listen to this, the more you enjoy it. It’s an unstoppable juggernaut of groove and blasting, easily absorbed by anyone who has a taste for bands like Deeds of Flesh, Suffocation, Cannibal Corpse, Severe Torture, Dying Fetus, Defeated Sanity, etc.
For a solid fix of heavy brutality and death-dealing, Inherit Disease have got you covered.
Check them out.
Strangulate’s Death Metal is raw and brutal, going straight for the throat with their direct assault.
The gruesome riffs and bloody vocals sound like they were recorded about 20 years ago and then sealed in a crypt and forgotten about. Until now. It seems that some hapless victim has stumbled upon these ancient recordings and unleashed them on the world.
The band’s ugly approach to Death Metal is not polished, not state-of-the-art, not technical and not precise, and once they have you in their grip you wouldn’t want it any other way. This is 33 minutes of murderous, nasty music that knows a thing or two about how best to go about causing as much damage as possible.
Music like this is very honest and the passion of the band comes through in the delivery. The songs may be raw and unyielding, but they play the classic style well and the songwriting is on point. There’s a pleasing mix of blast beats and the mid-paced, with plenty of tasty riffs along the way that are catchier than you might think, too.
I hear elements of bands like Cannibal Corpse, (old) Hypocrisy, Gorerotted, Incantation, Severe Torture, Suffocation and a host of others in their sound. They pick and choose their influences with care and Catacombs of Decay is enriched by the band’s knowledge of their Death Metal heritage.
I mustn’t neglect to mention the singer, either. His clipped barking growls are performed flawlessly, perfectly capturing the essence of the style.
Mixing the old-school and classic styles of Death Metal to provide us with a great combination of blasting brutality and well-thought out riffs, Strangulate’s début is a winner and definitely rough and fierce enough to scrape your skin off.
Concrete play gore-soaked old-school Death Metal with plenty of presence.
The cookie-monster growls are as satisfying as any in the style and the singer’s performance suits the music nicely.
Heavy guitars herald the largely mid-paced assault that occasionally breaks through into blast beats. The band play the USDM style and the songs are written accordingly. There’s plenty of chugging destruction and some nice squealing added here and there, as well as some decent solos.
Simple and aggressive; you can’t really go wrong with something like this. Unless you’re just not a fan or are tired of the style, then it’s hard to not enjoy Chambers of Afterlife. It won’t earn any awards for innovation, but that’s not the point; this is an ode to pure Death Metal and it’s an ode I’ve liked hearing.
This is the kind of album that gets better the louder you play it. The riffs come alive even more and you get to feel the full, unfettered impact of the songs.
Chambers of Afterlife is a solid album that will suit older Cannibal Corpse fans down to the ground. Check them out and blast them out at full volume.