This is the debut album from US black metal band Another Black Autumn.
Containing members of Canis Dirus and Crown of Asteria, Another Black Autumn play atmospheric black metal. Across 31 minutes the band demonstrate a keen ability at producing black metal that doesn’t always do what you expect it to do. Continue reading “Another Black Autumn – Resplendent Apparitions at the Dawn (Review)”
Onheil are a black/death metal band from the Netherlands and this is their third album.
Now, here’s an album I’ve very much been looking forward to. I thoroughly enjoyed 2014’s Storm Is Coming, even more so over time, and was immensely happy to see that a follow up is finally here. Back now with some lineup changes, and playing an infectious form of melodic black/death metal, with an influence from thrash and heavy metal, In Black Ashes finds Onheil revitalised, and ready to conquer. Continue reading “Onheil – In Black Ashes (Review)”
This is the sixth album from Norwegian black metallers Tsjuder.
Helvegr boasts 41 minutes of relentless and merciless Norwegian black metal. It’s fast, fiery, and murderously intense. Tsjunder have returned. Continue reading “Tsjuder – Helvegr (Review)”
Krigsgrav are a black metal band from the US and this is their seventh album.
I haven’t caught up with Krigsgrav since their 2016 album Waves of Degradation, so it’s good to check in with them once more. Fires in the Fall contains 53 minutes of new material and reveals some changes to the band’s sound, which can be roughly and facetiously summarised as shorter songs, more doom. Continue reading “Krigsgrav – Fires in the Fall (Review)”
Malauriu and Lykten are both black metal bands from Italy and this is their split.
Malauriu are first up, contributing three songs, lasting 10 minutes in total. Continue reading “Malauriu/Lykten – Split (Review)”
This is the debut album from one-man US black metal band Geist of Ouachita.
Imprisoned in the Graven Wood contains 32 minutes of raw, unfriendly black metal. Rooted in the 90s, but not limited to just that era, this is black metal with melodic sensibilities and a bladed emotive sheen. Continue reading “Geist of Ouachita – Imprisoned in the Graven Wood (Review)”
This is the third album from Aodon, a black metal band from France.
Portraits is the follow up to 2020’s 11069, and features 46 minutes of sleek, quality material. If you liked 11069, then Portraits is the upgraded version. Continue reading “Aodon – Portraits (Review)”
Miasmes are a French black metal band and this is their debut album.
After how much I enjoyed last year’s debut EP Vermines, Répugnance is an album I have been looking forward to. The band have delivered the goods, as I was hoping they would, and Répugnance gives us 42 minutes of new material, (or mostly new – Pestilence makes a reappearance from the EP). Continue reading “Miasmes – Répugnance (Review)”
Order of Nosferat and Lunar Spells are both black metal bands, the former from Germany/Finland, and the latter from Greece.
I do love a good black metal split. I was unfamiliar with both of these bands prior to listening to this, so decided to just dive in and see what we have here. Continue reading “Order of Nosferat/Lunar Spells – Shadowrealm Incantations – Split (Review)”
This is the debut album from solo Norwegian black metal band Fellmoon.
Fellmoon contains 41 minutes of atmospheric/symphonic black metal. Divided into four tracks that mirror the phases of the moon, Fellmoon is a blackened hymn to the lunar cycle. Continue reading “Fellmoon – Fellmoon (Review)”
Wonderbox Metal 