Deveikuth are a French Funeral Doom/Drone band and this is their latest release.
Now this is some heavy stuff.
The first track starts off with some sickeningly distorted bass that seems to overwhelm everything else as maniacal vocals scream obscenities into a bucket. A dirty bucket filled with filth.
The striking vocals overlay the constant feedback howling and murky distortion of the tracks. Said vocals are unhinged and sound quite disturbed. Juxtaposed against the slow, unhurried music it creates quite an impression over the 12 minute playing time.
Track two is more of an ambient, mood-interlude, albeit one that lasts for six minutes. Strange sounds and odd noises accompany some semi-excited drums like something esoteric stalking something playful. Apart from a kind of spoken word bit near the middle, it’s instrumental and a nice change of pace and mood after the disconcerting menace of the first song.
The final song is the longest here at almost 17 minutes and shows the band in more of a build-release mode, with some extra atmosphere included too. Shrieking, wailing vocals accompany equally turbulent music as Deveikuth pull you under the water and hold you there, enjoying your gurgling demise.
This is a release that reeks of pain, anguish and warped sensibilities. It’s not for the faint-hearted and not for people that like clean, easily digested music.
Brimstone Coven are a Hard Rock band from the US. This is their second album.
Brimstone Coven worship at the smoky altar of all things 60s and 70s. Black Sabbath, Pentagram and Led Zeppelin may be obvious reference points, but there’s more going on here than you might expect and Black Magic is a well-rounded release that is greater than the sum of its influences.
This album has a pleasingly authentic sound, both in the recording and the vibes that seem to come off the music in heady waves.
The main vocalist’s voice suits the music well and there’s lots of catchy singing going on here, which works well with the equally catchy music. The band also employ multi-singer harmonies and put these to good use.
The music is instantly familiar and it’s easy to get into this and feel a pleasant buzz emanating from it. The songs contain so many good riffs and warm melodies that every song has something pretty damn special to offer.
Black Magic gives us 55 minutes of music to entrance and captivate. If you’re in the mood for this kind of thing then it really is up there with the best of them. With top-drawer songwriting and a decent amount of variety and moods to explore, this is a very enjoyable release.
I’m not always a huge fan of music that takes its inspiration from this era, (although bands such as Witchcraft, Agusa, Ecstatic Vision and Greenleaf have been known to frequent my playlist from time to time…), but when it’s done well and with enthusiasm and passion as it clearly is on Black Magic, the result is infectious and hard to ignore.
This is the fourth album from German Death Metallers Dead Eyed Sleeper.
This has a very tasty sound, thick and heavy without losing clarity or definition.
The singer’s expressive growls and screams are ably performed and have an energy to them that’s undeniable. Powering along with passionate aggression and meaty delivery, he leaves an impression.
The same could easily be said of the music, actually; energetic, passionate and aggressive. The band’s take on Death Metal is familiar enough to be instantly satisfying yet differentiated enough to sound interesting and fresher than most similar bands. Elements of brutality rub shoulders with more involved technical and progressive flourishes that leave the band standing separate from a lot of their peers, which in my mind is no bad thing at all, nor is it an easy thing to achieve.
These five tracks are expansive forays into Death Metal, making the most of what the base genre has to offer, but fleshing it out with extra influences and snatches of mournful and dirge-like melody. These Doom-influences serve the band well, providing ample opportunity for them to show off their emotive side. When this is combined with the technical and/or progressive aspects of their sound it’s a heady combination that marks the band out for great things as far as I’m concerned.
At the end of these 29 minutes the play button is pressed again. It’s a hallmark of good music that you immediately want to hear it a second time and you also want more than just what’s contained on this album.
Systemhouse33 are a Metal band from India. This is their latest album.
Their previous release Depths of Despair was an enjoyable, albeit brief, romp through all things heavy and modern, and Regression continues the theme but ups the stakes.
At a slightly longer 30 minutes in length, the band have further refined their blend of modern Metal and Metalcore/Hardcore/Death Metal influences into a potent blend of muscular aggression.
The singer has a harsh snarl that fits well with the music and doesn’t allow for any compromise. He plainly means business and I like what he’s selling.
The songs chug, rumble and bludgeon their way through the playing time and there’s a decent amount of catchy riffs and heavy melodies involved.
Although I liked Depths of Despair this is an all-round more cohesive, focused and superior release; perfect for when you want some heavy, crushing, upbeat, groove-based music. Without too much extremity, but also without going the other way into commercial, sanitised waters, Systemhouse33 have hit the right spot and Regression is actually a positive move forward.
For fans of Lamb of God, Meshuggah, Whitechapel, Skinlab, Machine Head, Testament, Merauder, etc.
Artillery are a Thrash Metal band from Denmark. This is their eighth album.
These Metal veterans return with another 54 minutes of old-school Thrash Metal.
The vocalist’s melodic cleans are straight out of a different era, and in the context of 2016 sound flawless and delivered with a skill and passion lacking in most similar bands.
Savage riffs and sterling solos are moulded around classic song structures. The band obviously know exactly what they’re doing from the outset and this is a ridiculously strong collection of tracks. Catchy, memorable and charismatic, these songs are seriously good. They also awaken such a powerful sense of nostalgia in me that I honestly don’t know what to do with. I’ll just listen to more Thrash Metal I suppose.
Some of the riffs and melodies on this release get the hairs standing on end and the overall feeling is indescribable in some ways. Being exposed to this much authentic top-grade Thrash Metal in one go should come with a health warning.
Well, this really has made me sit up and take notice. I pretty much hate the vast majority of the retro-Thrash movement with its stupidity and moronic nonsense, so it’s great to hear a band that were forged in the original era when this kind of thing was first born produce something so strong and worthwhile. This should put all of the idiotic posers in their place and demonstrates what a force to be reckoned with Artillery still are.
Taken with the recent release by Exumer, could 2016 be the year that reignites my love affair with Thrash Metal? It’s shaping up to be that way so far.
Israeli Metal band Ferium’s second album Behind the Black Eyes is chock full of professional brutality and streamlined aggression. Guitarist/vocalist Elram Boxer brought me up to speed with all things Ferium…
Give us a bit of background to Ferium
Ferium is a 5 piece Metal band from Israel, we have had the dream to be musicians ever since we were teenagers growing up watching the biggest bands on earth go around the world.
We come from a very demanding place when it comes to being a Metal band, although Israel has it’s amazing sides of community and brotherhood and a faithful following, living in a political & financial cesspool, distracts the people from the art that this place produces, we all have our day jobs to pay for getting out on at least 2 tours a year, our own recording studio & rehearsal room, and the motivation to create music, and lots of it, to put it in a definition, we are an Independent band.
What are your influences?
Mostly our day to day lives, our past experience and, basically, everything aggressive.
What are you listening to at the moment that you would like to recommend?
The Fading – ‘Til Live Do Us Part! A Swedish death metal from Israel! This band is RAD!
How do you feel that you fit into the wider Metal scene these days?
Lost… hehehe. We feel that Ferium will always be somewhat old school oriented… it seems that the metal music is going to a more technicality and skilled based music, (and Jesus there are some skilled players out there!). We write the music we write from the bottom of our souls, the creative minds behind Ferium have experienced deceit, unfaithfulness, heartbreak, betrayal, pain, loss, and all of these things create a sonic & lyrical portrayal of aggressiveness & frustration in an effort to solve all of life’s struggles, and to turn them into positive and empowering experiences.
Give us a bit of background to Behind the Black Eyes – any particular concepts or ideas you want to discuss?
“Behind The Black Eyes” conceptually picks up where “Reflections” left off. It brings the story of a man’s relationship – its ups and downs, the good and the bad, and the image being portrayed by gut-wrenching and goosebump-inducing lyrical work. This album is certainly an evolution to the band’s sound, where other bands today hold back on their aggression, we do the exact opposite and back up the album’s real approach to relationships with honest brutality.
How do you go about writing your songs?
We write a lot! mostly in our own studio. There is no specific way we write…sometimes it’s jamming in the studio while recording, sometimes its writing a song as a band, sometimes its just grabbing the guitar and groove it to oblivion! We do have a solid vision of what Ferium is and where Ferium is going (musically).
There seems to have been a cutting of fat and focusing of songs between your début and Between the Black Eyes. Was this a conscious effort?
We have sculpted ‘Behind The Black Eyes’ to be 110% to the point, which is the atmospheric aggression throughout the storyline from the good to the bad. The riffs are heavier, the groove is heavier, the bassline is heavier! So no FAT has been cut off from our point of view.
How did the recording process go?
Fortunately, we have our own studio so we can basically do whatever we want to and take the time with everything. The recording of the instrumentation on ‘Behind The Black Eyes’ was pretty flawless and quick! When we got to the recording of the vocals, we immediately knew that the attitude of the vocals needed to be changed so Tiran and I took about 2-3 months of refining and rehearsing the vocals into shape.
Tell us about the album artwork
The artwork was done by the one and only, Mr. Eliran Kantor (Hatebreed, Testament, Iced Earth to name a few). The album cover shows a man pierced by a Rhino, where in ‘Reflections’ the man was trying to tame the Rhino…so again, there’s a clear view of the relation between the two albums.
What’s your favourite song on the album and why?
This album, for me, is one continuous song… so it is kind of hard to point out one…
Deveikuth are a French Funeral Doom/Drone band and this is their latest release.
Wonderbox Metal 