This is the debut album from Weite, an international rock band.
Featuring members of Elder and High Fighter, Weite play a charismatic mix of 70s psychedelic, progressive, and experimental rock, with jazz elements. Assemblage is an instrumental record, and spends 39 minutes taking the listener on an expansive worldbuilding journey. Continue reading “Weite – Assemblage (Review)”
This is the fourth album from US hard rock band Royal Thunder.
Rebuilding the Mountain contains 42 minutes of professionally crafted rock music. Taking influence from a range of places, this is music that’s expressive, hook-filled, and underpinned by a depth of content. Continue reading “Royal Thunder – Rebuilding the Mountain (Review)”
Tigercub are a modern rock band from the UK and this is their third album.
I don’t often reach for rock, but when I do I typically want short songs, big hooks, and darker moods. Enter The Perfume of Decay. Across 41 minutes Tigercub tick all of these boxes and more, delivering exactly what I want from a contemporary rock band that has plenty of 90s influences thrown into their sound. Continue reading “Tigercub – The Perfume of Decay (Review)”
This is a split between High Desert Queen and Blue Heron, two stoner rock bands from the US.
High Desert Queen open the split. They contribute three songs, with a total duration of 13 minutes. Continue reading “Turned to Stone Chapter 8: The Wake – High Desert Queen/Blue Heron – Split (Review)”
Gozu are a stoner/grunge band from the US and this is their fifth album.
Remedy contains 49 minutes of stoner rock and metal mixed with a healthy dose of grunge. Imagine a mix of Clutch, Alice in Chains, Soundgarden, Black Sabbath, Corrosion of Conformity, and Mastodon, and you’ll have a decent idea of where Gozu are coming from. Continue reading “Gozu – Remedy (Review)”
This is the debut album from UK dark/Gothic rock band Host.
Brought to us by the singer and guitarist of Paradise Lost, IX contains 42 minutes of electronically enhanced dark/Gothic rock. Imagine, if you will, a cross between Paradise Lost’s Host album, (and parts of the other albums surrounding this one), and the 80s Goth and New Wave scenes, and Continue reading “Host – IX (Review)”
This is the second album from Swedish stoner rockers Tidal Wave.
Tidal Wave play a mix of stoner and heavy rock, and on The Lord Knows they provide the listener with 41 minutes of infectious tunes. Continue reading “Tidal Wave – The Lord Knows (Review)”
This is the second album from Shaam Larein, a Swedish rock band.
Sticka en Kniv I Världen contains 39 minutes of idiosyncratic heavy rock. Mixing together elements of Gothic, doom, avant-garde, and post-punk, this offers a distinguished work for the listener to be mesmerised by. Continue reading “Shaam Larein – Sticka en Kniv I Världen (Review)”
This is the sixth album from US progressive rock band Elder.
Innate Passage contains 54 minutes of psychedelic progressive rock. Elder take the listener on a journey into sound, one which offers a vivid and intricate experience. Continue reading “Elder – Innate Passage (Review)”
Mord’A’Stigmata are an avant-garde rock band from Poland and this is their sixth album.
Dreams of Quiet Places was a highlight of 2019 for me, so it’s with great anticipation that I turned to Like Ants and Snakes. I also thoroughly enjoyed 2013’s Ansia and 2017’s Hope, so Mord’A’Stigmata are a band with a great track record of strong album. Has their new one lived up to my lofty expectations? Continue reading “Mord’A’Stigmata – Like Ants and Snakes (Review)”
Wonderbox Metal 