wonderboxmetal

Interview with Artillery

Danish thrash metal band Artillery need little introduction, being decades-long veterans of the thrash metal wars. Their latest album Penalty by Perception has really upped the ante in terms of quality thrash, and it’s an album I already love. Guitarist Michael Stützer was kind enough to take some time out from reloading to answer a few questions…

Give us a bit of background to Artillery

Artillery was formed in 1982 by Morten Stützer, Per Onink, Jørgen Sandau, Carsten Nielsen and Michael Stützer and did the first demo ”We are the dead” in Dec 1982. After recording 2 new demos ”Shellschock” and ”Deeds of Darkness” in 1984 with new singer Carsten Lohmann Artillery signed with Neat Records which released the 2 albums Fear Of Tomorrow(1985) and Terror Squad(1987) now with singer Flemming Rönsdorf. In 1989 Artillery signed with Roadrunner and put out By inheritance. In 1991 Artillery took a break before releasing BACK in 1999 on Die Hard Records! After another break Artillery reunited in 2007 with singer Søren Adamsen and released 3 albums ”One foot in the grave… (2008) ”When Death comes” 2009 and ”My blood” and a DVD One foot in the grave… (2008) all on Metalmind Productions. In 2012 Artillery signed with Metal Blade and released ”Legions” (2012) and ”Penalty by perception” (2016) both with the current line up Peter Thorslund (Bass), Josua Madsen (Drums), Michael Bastholm Dahl (Vocals), Morten Stützer (Guitar), Michael Stützer (Guitar). Continue reading “Interview with Artillery”

Interview with Ad Patres and UK Tour Dates

French death metallers Ad Patres are a perennial favourite of my playlists, so when I saw they were touring the UK soon I got really quite excited. Their very sexy label Kaotoxin Records had the following to say –

Kaotoxin is proud to announce the first ever UK tour by French Death Metal machine AD PATRES, supporting brutal Brits of ABHORRENT DECIMATION.

After having played HellFest and many other French festivals, Netherlands with Krisiun, a weekend tour with Morbid Angel in France and Belgium, played Germany’s DeathFeast and whatnot, it’s time for AD PATRES to bring their savage beatings to UK stages and who other to team with than ABHORRENT DECIMATION for a brutal package of high-class Death Metal the way it was meant to be! Continue reading “Interview with Ad Patres and UK Tour Dates”

First Fragment – Dasein (Review)

This is the début album from First Fragment, who are a Canadian Technical Death Metal band.

Upon pressing play, my first impression is a jaw-dropping one. This is Technical Death Metal and then some. As it turns out though, there’s even more than just complex craziness going on here.

First Fragment can certainly play. At first glance it could seem as if all of the instruments are all over the place. Although that’s a good thing in many ways, crucially on Dasein, they’re all reined in appropriately for the needs of the song, rather than just let loose to roam and explore where they see fit, (although it does feel like that in some places).

Continue reading “First Fragment – Dasein (Review)”

Interview with Boss Keloid

I’m not sure how many times I’ve listened to Herb Your Enthusiasm at this point, but all I know is that it’s as infectious as it is crushing, and if it doesn’t end up in my end of year list for 2016 I’ll be hugely shocked. So when I got the opportunity to dig a bit deeper into the band, I took it. Here’s Alex Hurst, vocalist of Boss Keloid…

Introduce us to Boss Keloid!

Boss Keloid are
Alex Hurst – Vocals
Paul Swarbrick – Guitar
Adam Swarbrick – Bass
Ste Arands – Drums

What are your influences?The

Influences in this band are a tad crazy as we all love different types of music but there is a common ground when it comes to anything with a good groove and beat. Influences I could list would have to be Bob Marley / Sleep / OM / Neurosis / Steely Dan / Anything Mike Patton is involved in / Will Haven / King Crimson / Secret Chiefs 3 / Kyuss. Continue reading “Interview with Boss Keloid”

Sov – Aklamerad Kalamitet (Review)

Sov are a Black Metal band and this is their début album.

Sov play underground and honest Black Metal that might superficially seem like the standard fare at first glance, but a deeper scrutiny reveals a band with impressive creative power and a lot of raw talent.

This is an interesting release in that it manages to cultivate an air of both natural forest-dwelling and sophisticated blackened art. The music is suspended between the more naturalistic elements and the modern, progressive influences so that these six tracks are a pleasing blend of the early second-wave style and a more up-to-date interpretation of the genre, à la Watain and Deathspell Omega. Continue reading “Sov – Aklamerad Kalamitet (Review)”

Killing for Company – House of Hades (Review)

This is the début album from Norwegian Death Metal band Killing for Company.

Killing for Company’s music seems like it has congealed from a pool of blood that’s seeped out of the corpse of old-school Death Metal. To get an idea of the band’s sound, think Bolt Thrower and Autopsy; mix this with a bit of, (old), Hypocrisy and then add in some atmosphere and coloured melody. Continue reading “Killing for Company – House of Hades (Review)”

Dominhate – Emissaries of Morning (Review)

Dominhate are an Italian Death Metal band and this is their latest EP.

Dominhate play Death Metal that’s dark, dingy and full of sinister auras.

Featuring a classic style and enough grim riffing to get anyone to sit up and pay attention, it’s easy to get on board with the band’s ugly aggression.

This short EP is a relentlessly brutal foray into the underground of Death Metal, where it’s all about crushing your enemies with a vice-like grip and then beating their corpses with their own broken limbs. Continue reading “Dominhate – Emissaries of Morning (Review)”

Interview with Rebaelliun

After a colossal 15 year wait, veteran death metal band Rebaelliun have returned with an equally colossal new album – The Hell’s Decrees. Guitarist Fabiano Penna brought me up to speed with what the band have been doing with their new active status, and where they go from here…

Introduce us to Rebaelliun!

Rebaelliun was formed in 1998 in Brazil. In the end of that year we went to Europe – Brussels first – with a two tracks demo-tape to look for gigs and a record label, since the Death Metal scene in Brazil gave us no perspective about the future. We played several shows in a few countries and signed to Hammerheart Records from Holland. During the next 3 years, we released 2 EP’s and 2 albums, we played 3 more European tours, sharing the stage with legends such as Deicide, Cannibal Corpse, Behemoth and Vader. In 2002 band quit due to personal issues and last year, in 2015, we finally decided to reunite to record a new album.

What are your influences?

Everything you listen to or even you watch, you experience, has some impact in the way you write and play music. But to keep it short, our strongest references in Metal are Slayer and Morbid Angel.

Name five things you’ve listened to recently that you’d recommend. Continue reading “Interview with Rebaelliun”

Astral Path – An Oath to the Void (Review)

Astral Path are an atmospheric Black Metal band from Canada. This is their début album.

This is the kind of modern, expansive Black Metal that so many bands seem to do so well these days. If you’re a fan of bands like Wolves in the Throne Room, Chaos Moon, Midnight Odyssey, Krallice, Mare Cognitum, Deafheaven and their ilk, then you should also like this.

Astral Path’s music combines this type of stargazing, cosmic Black Metal with ambient soundscapes to create atmospheric Black Metal that seems to roll out of the speakers in a pool of spectral fog. Continue reading “Astral Path – An Oath to the Void (Review)”

Rebaelliun – The Hell’s Decrees (Review)

This is the third album from these Brazilian Death Metal veterans, and their first in 15 years.

Rebaelliun have a level of in-built authenticity to them and The Hell’s Decrees is a form of Death Metal purity that few attain. These songs slay the opposition with ease, providing a precise assault of speed and brutality that is inspiring in its destructiveness.

Or, to put it another way; these are damn fine Death Metal songs. Continue reading “Rebaelliun – The Hell’s Decrees (Review)”