Corecom – Crawling Under The Heavy Foot Of Addiction (Review)

CoecomCorecom are a Sludge Metal band from Bulgaria and this is their début album.

Lazy, lost, despondent…the woe and rejection…the struggles of life and everything within…Corecom are here to remind you that negativity can be a physical force.

But there’s more to just Corecom than mere misery and Sludgy Eyehategod worship; they’re also in touch with their inner Hardcore band and their brand of Sludge is infested with semi-upbeat Hardcore-esque sections that seem to be fashioned from the murk of the deepest Sludge. This is more No Anchor than Eyehategod.

Corecom also have groove. I mean big groove. The kind of groove that got people bouncing all over the shop before Nu-Metal made it distinctly uncool. Corecom are reclaiming it and drenching it in Sludge so that no-one else wants to touch it.

Southern riffs, Hardcore-vibes, Doom-workouts and Stoner sections abound, as well as some pseudo-Grunge and Pantera/Crowbar influences. Corecom sound stuck in a timewarp in some ways, as Crawling Under The Heavy Foot Of Addiction sounds like it should have been released around 1999. This is not a bad thing at all, as this was a time when there were lots of innovative and interesting bands rearing their bruised, ugly heads.

Varied and catchy songs are Corecom’s speciality and this release is a very complete one; songs are just that, and each track has a part to play holistically in the overall makeup of the album.

Pain-inflicted vocals with no small amount of variety and character run through the songs like rodents infesting the ruins. The singer has a distinctly non-standard voice and this goes for the music too; it might take a song or two to acclimbatize but once you do Corecom have a lot of character and personality to offer.

This album makes me feel both impressed and nostalgic. It’s definitely one you should have a listen to.

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One thought on “Corecom – Crawling Under The Heavy Foot Of Addiction (Review)

  1. Pingback: Crawl – Old Wood and Broken Dreams (Review) | Wonderbox Metal

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