This is the debut album from post-rock band You, Infinite.
Brought to us by founding members of This Will Destroy You, You, Infinite contains 65 minutes of instrumental post-rock. I find this sort of style quite easy to become bored by, but not when it’s in as capable hands as these ones. You, Infinite have plenty of experience in this area, and have produced a record that does not disappoint. Continue reading “You, Infinite – You, Infinite (Review)”
Fall of Leviathan are a Swiss post-metal band and this is their debut album.
In Waves is a 56-minute journey through instrumental soundscapes that has cinematic scope and an ambitious presence. The promo blurb mentions bands like Neurosis, Mogwai, Mouth of the Architect, Rosetta, and Russian Circles, which sets the scene nicely for Fall of Leviathan’s sound. Continue reading “Fall of Leviathan – In Waves (Review)”
This is the third album from Belgian post-metallers Hemelbestormer.
I’m not the biggest fan of instrumental music, but sometimes a band comes along and makes it work notably well. With 2016’s Aether and 2018’s A Ring of Blue Light, Hemelbestormer were just one such band. Now they’ve returned with Collide & Merge, which boasts a whopping 73 minutes of new material. Can Hemelbestormer continue their upward trend? We shall see. Continue reading “Hemelbestormer – Collide & Merge (Review)”
This is the fourth album from Year of No Light, a French post-metal band.
Having really enjoyed 2013’s Tocsin, it has been a long wait for another album from Year of No Light, but the wait has been worth it. Across 55 minutes the band expose the listener to an idiosyncratic creative experience consisting of five thoroughly engaging soundscapes. Continue reading “Year of No Light – Consolamentum (Review)”
Intervals are a Canadian progressive metal band and this is their fourth album.
Following on from 2017’s The Way Forward, Circadian delivers high quality modern progressive metal. This is essentially a solo album, only with guests and session musicians. It’s an instrumental release, which is a style I normally shy away from, but Intervals is Continue reading “Intervals – Circadian (Review)”
Russian Circles are an instrumental post-rock/metal band from the US. This is their seventh album.
2016’s Guidance was another sterling addition to Russian Circles’ quality discography, and Blood Year continues this trend with 40 minutes of new material. Continue reading “Russian Circles – Blood Year (Review)”
Pelican are a post-metal band from the US and this is their sixth album.
Pelican play an instrumental post-rock/metal hybrid, and have been crafting affecting and enjoyable material for 18 years at this point. As their first new album in six years, I think it’s fair to say that Nighttime Stories has been greatly anticipated by fans of the band’s work. Continue reading “Pelican – Nighttime Stories (Review)”
June saw the release of the second Sons of Alpha Centauri album – Continuum. An infectiously layered and immersive trip into space, the band’s progressive tendencies truly shine on this album, and it’s an enjoyable and substantial collection of tracks.
Check out the interview with Nick Hannon below, and make sure you give the album a spin too… Continue reading “Interview with Sons of Alpha Centauri”
Sons of Alpha Centauri are from the UK and this is their second album. They play instrumental stoner rock.
We have met Sons of Alpha Centauri before, and they made a very good impression. With that in mind, we now turn to Continuum. Continue reading “Sons of Alpha Centauri – Continuum (Review)”
Arcade Messiah is a one-man progressive metal project from Ireland. This is his third album.
Although there are some vocals on this release, it’s mainly instrumental, with the man behind the band making sure that the music has the starring role.
The songs are the kind of modern, progressive Continue reading “Arcade Messiah – III (Review)”
Wonderbox Metal 