Brothers of the Sonic Cloth – Brothers of the Sonic Cloth (Review)

Brothers of the Sonic ClothBrothers of the Sonic Cloth are a Stoner Doom band from the US and this is their début album.

Brothers of the Sonic Cloth are heavy and rocking, which is the Stoner influence; they’re also slow and mournful, which is where the Doom element comes in; however they also have a nasty side that manifests in the Sludge part of their sound.

The vocals are nicely varied, with everything from harsh shouting to crawling drawls. All styles are performed perfectly in line with the emotive music and the variety sounds natural rather than forced.

Like the vocals, there’s a lot on offer musically. The band aren’t one dimensional at all and the songs here truly do incorporate Stoner, Doom and Sludge into a cohesive package that covers a lot of ground during the 45 minutes playing time. The band are all seasoned veterans so I should expect no less really.

I’ve connected with this album on a deeper level than I thought I would. It’s an album that is diverse and feels like it takes you on a journey, which is a feeling I love in my music. More than that though, it’s the sound they’ve created; it’s heavy enough to be crushing but nuanced enough to retain character and personality.

Well, this album has been a surprise and a treat. Get ready to worship.

Death Engine – Mud (Review)

Death EngineDeath Engine are a Hardcore band from France. This is their début album.

Death Engine play their Hardcore angry, atonal, dissonant and with much diversity. One moment they’re shredding out complex noisecore and the next they’ve gone all Post-Hardcore for moments of resplendent beauty.

This variety of assault is one of the things that makes Mud such a compelling listen. The band are very talented and even though this is only their first album, (and second release overall), they have clearly honed these compositions into the finely tuned songs that they are today through hard work and passion.

There’s lots of nifty ideas present on the album, starting on the first track Medusa and right up until the final one, Negative. Death Engine obviously aren’t lacking in the creativity department.

Angular riffing and complex drumming make up the lion’s share of the songs whilst the singer works himself up into an emotive frenzy.

The production suits the band; it’s not polished and clear but gritty and real. This is the sound of a band who are alive with vibrancy and furious conviction.

It’s hard to describe the feelings that Mud raises; this is the kind of album that it’s easy to fall in love with. There’s so much on offer here that it’s literally too much to absorb in one listen. This isn’t because there’s too much thrown in just for the sake of it, rather that the band have stuffed so much quality songsmithing into these tracks that while you’re getting absorbed in a particular guitar part it’s easy to miss everything else that’s going on.

This is a veritable Tour de Force of an album and one that Death Engine should be rightly proud of.

Bloody Hell this is good.

Kjeld – Skym (Review)

KjeldKjeld are from the Netherlands and this is their début album. They play Black Metal.

This is Black Metal that’s as cold as ice and as hard as diamond. The band have a great production that carries them along. It’s a dry, cold sound that suits the delivery of the music.

Their songs promote images of a barren and inhospitable landscape, which is just like Kjeld’s sound; frosted and ageless, with slivers of melody peaking out through the ruins of long dead civilisations.

The band have a talent for these subtle melodies that seem to ooze out of the rhythm guitars like glaciers. They play fast but the atmospheres created are enduring and lasting.

The impression Kjeld give is one of permanence and durability. They seem built to weather the storms and the biting cold, steadfastly waiting for their moment to come. With the release of Skym that moment could be now.

The drums blast and the thick guitars burn cold beneath the dark majesty of the music. Harsh screams are well-placed in the mix and the singer does the genre proud.

Coming across as early Black Metal in the Scandinavian style, Kjeld have somewhat of a timeless quality to them; they manage to sound simultaneously classic and contemporary.

Skym is a really, really good album. Have a listen and let the frost creep in.

Sigihl – Trauermärsche (And a Tango Upon the World’s Grave) (Review)

SigihlThis is the début album from Polish Black/Doom/Sludge Metal band Sigihl.

Sigihl play their Black Metal with added elements of Sludge, Doom and Drone.

This is special, in a disgustingly infectious way. There’s no guitar, but there is a saxophone. Sigihl make Black Metal art by their own rules. It’s intriguing, depraved and utterly compelling.

Calling it Black Metal though is a bit misleading, as although Black Metal is an integral component of their writing, equally important is the Doom/Sludge influence.

The bass-heavy distortion is combined with a saxophone sound that seems dredged up from the most sinister and worrying parts of a Silent Hill game. It’s unusual and instantly appealing. Sigihl have really worked out how to get the most from emotive filthiness.

The wailing vocals are buried by the bass and provide an unhinged counterpoint to the plaintive saxophone melodies.

The repetitive dirge/Drone-like nature of the music is infectious and draws you in, eager to experience the joyful misery that this cavalcade of woe is pedalling.

Sigihl have created a listening experience that’s almost tangible enough to touch.

A very individual release, destined to be tragically overlooked by many Metal fans. Don’t let this be the case with you.

Bloodscribe – Prologue to the Apocalypse (Review)

BloodscribeBloodscribe are from the US and this is their début album. They play Death Metal.

This is Brutal Death Metal that’s short, nasty, violent and infectious. At its core it has a purity of intent that’s a joy to hear.

The songs are a hearty mix of blast, chug and groove that’s guaranteed to get the blood pumping and the body slamming.

There are plenty of tasty riffs here as well as some squeals, breakdowns, and chug-fests. The band remind me of the older, Suffocation/Broken Hope style of Death Metal and they play it well.

At only 25 minutes in length the band get in, make a gloriously noisy mess and then exit again swiftly.

Bloodscribe have a hideously warm production that reeks of decaying organic matter whilst retaining a powerful presence.

The vocals are guttural delights; sickeningly deep without descending into ridiculous pignoise territory.

A very enjoyable way to spend almost half an hour. Gotta love groovy, heavy Death Metal.

Lord Dying – Poisoned Altars (Review)

Lord DyingThis is the second album from US Sludge Metallers Lord Dying.

This is all about worshipping the riff and following the path of everything heavy.

Oh, and the album cover is just perfect.

Lord Dying shout and bellow their way through these 8 tracks with belligerence and a confidence born of too much alcohol and a natural ability. They know they’re better then most so why shouldn’t they show what they’re capable of?

If you’re a fan of Crowbar, High On Fire, Red Fang, Mastodon, The Obsessed, Orange Goblin, etc. then you’ll no doubt find a lot to enjoy here.

Essentially mixing High On Fire and Crowbar, Lord Dying provide a lot of meat throughout this 37 minute album. It’s not purely a riff-fest either as the band do concentrate on songs more than just stitching different guitar parts together.

The singer has a throaty snarl that has character and recalls a younger, angrier Crowbar singer. He also has a knack for catchy rhythms and vocal patterns that mark the brain like jagged grooves.

The attitude exuded from these tracks is as palpable as the riffs themselves. This is a visceral band that you feel you can almost touch, although I can’t help but imagine them being quite toxic if you did.

Very, very nice. Feel the poison flow through your veins and revel in it.

Caelestia – Beneath Abyss (Review)

CaelestiaCaelestia are from Greece and this is their second album. They play Melodic Metal.

Well this is interesting. Superficially another Gothic/Operatic European Metal band, there’s actually more to Caelestia than that.

They combine elements of that sound with Melodic Death Metal and Progressive Metal to create an altogether more interesting beast than what you, (or me), might have been expecting.

The album is a mixture of these aforementioned styles, meaning that Beneath Abyss is not a listen that gets stale. This is a bigger than normal compliment actually, considering how easy it is for Gothic Metal bands to be quite generic. But of course, this is where the other influences come in.

Another very positive thing about the band is the main female vocals; the singer has a strong voice that definitely has her own personality stamped onto it and manages to avoid simply aping some of the bigger female vocalists out there. She has a versatile and powerful voice that oozes professionalism and quality.

Her voice is joined by choral backing vocals and harsher male shouting, as well as a guest spot from the singer of Soilwork.

These are enjoyable songs and the combination of the European Metal styles into one package gives Caelestia an identity of their own that differentiates them from the majority of their peers who play similar styles of music. It also lends the songs more depth than they’d otherwise have if the bite of the Melodic Death Metal or the musicality of the Progressive Metal were removed.

A very good listen. Check them out and see if you agree.

Dethfox – Natural Media Teleforce (Review)

DethfoxDethfox are a Canadian band that play Punk.

This is gritty, Old-School Punk that wastes no time and feels no compunction about being resolutely anachronistic.

The songs may exist be out of their natural temporal location, but they’re curiously infectious nonetheless. There’s an honesty about them as they do what they do in a simple-yet-catchy manner.

The formula of songs like this has essentially remained unchanged for decades, but if it works then who cares? I’m not the biggest Punk fan in the world but this EP is short and sweet enough to leave me with a happy smile on my face.

Each of these songs has a decent hook and the snarled, garbled vocals may be totally illegible but they do exactly what they’re meant to do.

Music with attitude.

Decline of the I – Rebellion (Review)

Decline of the IThis is the second album by Post-Black Metal band Decline of the I.

Rebellion is an interesting and sometimes eclectic mix of the rabid and the beautiful.

A lot of time and energy must have gone into this album in order to give it so much depth and texture. Every song has a lot going on and the compositions reflect the restrained chaos that’s encapsulated here.

Brutal Blackened mayhem is artfully weaved into the overall structure of a wider musical framework that encompasses a multifaceted palette. Fragile and expansive Post-Metal guitar melodies flail against pure Blackened spite in a battle for supremacy. It’s impressive how the various feelings and emotions play off each other yet always manage to retain a cohesiveness despite the warring elements.

Vocal contributions come from three members and as such the vocals are as varied and eclectic as the music itself. Horror-fuelled screams and atypical verbalisations give the impression of a warped insanity lurking deep at the heart of the music. The music itself does nothing to dispel this of course, being a product of demented genius in its own right.

Much like Decline of the I themselves; Post-Black Metal is a very interesting and rich subgenre and Rebellion ticks all of the boxes for why this is so. It manages to pull off everything from atmosphere to barbaric savagery, sometimes simultaneously.

A very impressive album and a big achievement.

With albums like this to start the year with 2015 is looking very bright indeed.