This is the second album from Maestus, a blackened doom band from the US.
Looking for a doom record that has epic-length songs and music that’s crushing, while also boasting a surprisingly delicate touch in places? Look no further. Continue reading “Maestus – Deliquesce (Review)”
Depleted is a one man death/doom band from the US and this is his debut demo.
Brought to us by a member of the rabidly aggressive Maltheist, Depleted is a different proposition, but no less nasty in intent. Continue reading “Depleted – Conjurations of Void (Review)”
This is the second album from A Thousand Sufferings, a Belgian blackened doom band.
We last heard from A Thousand Sufferings in 2015 with their debut album Burden. This was a dark slab of doom/sludge metal, and with Bleakness A Thousand Sufferings have capitalised on the strengths of that early record and produced 41 minutes of tortured and pained heavy music. Continue reading “A Thousand Sufferings – Bleakness (Review)”
Erlen Meyer are from France and play post-hardcore/metal. This is their second album.
I’ve been looking forward to this release ever since the band’s 2013’s self-titled debut. I managed to catch them live at 2016’s Damnation Festival and interview them too, so this is definitely an album I’ve been awaiting. Continue reading “Erlen Meyer – Sang et Or (Review)”
This is the second album from German doom band Carrion Mother.
On Nothing Remains Carrion Mother are channelling their internal harshness in no uncertain terms. In fact, this has now become external harshness that has spread across four tracks, and lasts 53 minutes. Nothing Remains is a colossal monster of harshness and, well, more harshness. Continue reading “Carrion Mother – Nothing Remains (Review)”
Le Menhir is a one man post-metal band from the UK and this is his latest EP.
Earlier in the year I had the pleasure of listening to the debut release from this project, Orage. Well, the artist is now back with a new three track EP. After a brief intro track, we get two songs of new material, lasting 17 minutes in total. Continue reading “Le Menhir – Aube (Review)”
This is the fourth album from Nailed to Obscurity, a melodic doom metal band from Germany.
Nailed to Obscurity play a modernised version of old-school death/doom. Black Frost contains 47 minutes of material that can be roughly characterised as a combination of old Katatonia mixed with elements of Paradise Lost, Insomnium, Opeth, Décembre Noir, and others. The band definitely let their own collective personalities shine through in the music, however. Continue reading “Nailed to Obscurity – Black Frost (Review)”
Yatra are a doom band from the US and this is their debut album.
Now here we have an album that’s infused with darkness; it’s almost tangible, but in a warm, smoky way. Mixing ugly doom, riff-hungry stoner, blackened sludge, and harsh drone influences into 45 minutes of material, Death Ritual showcases the dark underbelly of doom metal. Continue reading “Yatra – Death Ritual (Review)”
This is the second album from one man death/doom metal band Vanha.
Vanha’s debut album Within the Mist of Sorrow struck me hard, and has stayed with me ever since as a quality exemplar of how to provide a textured and highly atmospheric display of 90s death/doom influences. Delivered as a duo, Vanha is now one man, Melancholia is his latest effort. Continue reading “Vanha – Melancholia (Review)”
Lucifer’s Fall are an Australian doom metal band and this is their latest release. It’s an oddball collection of rarities – live tracks, rehearsals, covers, splits, demos, etc. – 62 minutes of raucous, rocking doom metal. Sorry, DOOM METAL!
I can’t help but really like Lucifer’s Fall. They’ve got songs, they’ve got attitude, and they’ve got balls. What’s not to like? Continue reading “Lucifer’s Fall – Tales from the Crypt (Review)”
Wonderbox Metal 