This is the third album from US death metallers Pissgrave.
Malignant Worthlessness contains 31 minutes of foul death metal extremity. It’s intense and brutal, but not delivered without skill. For all the rampant aggression and disgusting brutality on display, Pissgrave also know how to write a death metal song that hits the spot. Continue reading “Pissgrave – Malignant Worthlessness (Review)”
Black Curse are a US black/death metal band and this is their second album.
Following on from 2020’s hideously good Endless Wound, comes the 45-minute monstrosity that is Burning in Celestial Poison. Featuring five tracks that are mostly far longer than their predecessors, Black Curse have unleashed a severe statement of malevolent intent with their new record. Continue reading “Black Curse – Burning in Celestial Poison (Review)”
This is the debut album from Deathless Void, a black metal band from the Netherlands.
The Voluptuous Fire of Sin contains 39 minutes of aggressive black metal. Deathless Void play a style that manages to incorporate a few mutually complementary elements into itself, enriching its hostility with greater depth and range. Continue reading “Deathless Void – The Voluptuous Fire of Sin (Review)”
This is the debut EP from Ignobleth, an Italian black/death metal band.
Here’s we have a passionate slab of old-school darkness. Ignobleth play war metal brutality that’s grim and sinister. Voidspawn Sacrifice combines black and death metal – with a slight leaning towards the latter – into 15 enjoyable minutes. Continue reading “Ignobleth – Voidspawn Sacrifice (Review)”
This is the debut album from US one-woman black/death metal band Gun Girl.
What’s this? Another project by the same artist that brought us the amazing Lust Hag? Sign me up! Vengeant Siege of Unholy Divinity is 24 minutes of ugliness and mayhem. It’s harsh and unforgiving, and just wants to destroy. Continue reading “Gun Girl – Vengeant Siege of Unholy Divinity (Review)”
This is the debut album from US black/death metallers Primitive Warfare.
Extinction Protocol brims with 31 minutes of violent war metal aggression. Primitive Warfare are here to force the horrors of war right into your face, through your skull, and out the other side. Continue reading “Primitive Warfare – Extinction Protocol (Review)”
Cryfemal are a Spanish black metal band and this is their ninth album.
We’re going back to 2023 for this one. Why? Well, simply because while I’ve been aware of Cryfemal for some time, I’ve never heard them, so when I recently received the promo for this, I really wanted to check it out. So I did, and it made a big impression. Continue reading “Cryfemal – La Gran Victoria del Mal (Review)”
This is the second album from New Zealand black/death metallers Heresiarch.
Prior to Edifice my first and only encounter with Heresiarch was on their 2019 split release – Scorn Coalescence – with Serpents Athirst, Genocide Shrines, and Trepanation, so this new album seemed like a good opportunity to find out what Heresiarch are capable of with a full album. Continue reading “Heresiarch – Edifice (Review)”
This is the second album from US black/death metal band Diabolic Oath.
After enjoying Diabolic Oath’s Divinations split with Aberration not so long ago, I’m both surprised and pleased that Oracular Hexations has come along so quickly. Clocking in at 36 minutes, it’s a violent, barbaric mix of brutal black metal and hideous death metal. Continue reading “Diabolic Oath – Oracular Hexations (Review)”
This is the debut album from US black metallers Ritual Clearing.
Penitence contains 38 minutes of dark hostility. This is black metal that’s raw and hateful, delivering aggressive music shrouded in blades, spikes, and darkness. Ritual Clearing are ones to watch. Continue reading “Ritual Clearing – Penitence (Review)”
Wonderbox Metal 