Blackened Death Metal – Page 20

Nomad – Tetramorph (Review)

This is the latest EP from Polish Blackened Death Metallers Nomad.

Here we have 4 songs, 16 minutes of music; a glimpse into the world of Nomad. This world is brutal and ugly, but surprisingly nuanced and with an interestingly Blackened Sheen. The songs seems to barge out of the darkness to commit heinous, blasphemous acts before disappearing back into the night once more.

This is solid Death Metal, corrupted by Black Metal influences to tinge the riffs a shade darker than they would normally be and infusing the songs with dark atmospheres and an occult presence. They kind of remind me of a band like Blood Red Throne if they were more of a Blackened Death Metal proposition and were mixed with a band like Zyklon.

Nomad’s songs seem to be less about the individual riffs or parts and more about holistic atmosphere and feeling. This is an approach more commonly used by Black Metal bands than Death Metal ones, and thus befits their hybrid status. That doesn’t mean that there aren’t some choice riffs on display here though; there are, and the overall impression that Tetramorph makes is extremely positive.

Dark growls that are more emotive than the norm for this style are combined with sickly screams and all kinds of other incantations to produce a focal point for these Blackened hymns.

Having never heard Nomad before, this is not what I was actually expecting. It’s always nice to be surprised and hear Blackened Death Metal done well, especially when the two styles are blurred so well like they are here.

Recommended.

Haiduk – Demonicon (Review)

Haiduk is a one-man Black Metal project from Canada. This is his second album.

This is an album full of distorted blasting and hate-fuelled invective. It’s Black Metal with a pinch of Death Metal added for good measure. Although you could call this Blackened Death Metal, Black Metal is very much the main star of the show.

The Death Metal influence raises its ugly head in the added brutality and forcefulness of some of the riffs, as well as, more blatantly, the growled vocals.

The music is fast, well-constructed and hits the spot like a knife hitting its target. The riffs are full of Blackened melodies and harsher rhythms. Energetic and not afraid to add streaks of colour to its grimness, the music pummels and lacerates the listener at the same time.

The songs still manage to create atmosphere on occasion, so it’s not all a one-dimensional assault. This is the exception rather than the rule though, and to be honest, it’s good enough and well-played enough not to matter, regardless.

One-man Black Metal bands frequently take the less aggressive route, but Haiduk has proven that there’s no real reason for this to be the case. Demonicon is ugly, nasty and has enough quality riffs and dark melodies to be a dangerous proposition.

Like being hunted down in the dark and lashed at with razor-whips; this album somehow makes this prospect appealing.

Recommended.

Tine – The Forest Dreams of Black (Review)

This is the début album from US Symphonic Blackened Death Metallers Tine.

Blackened Death Metal is a funny beast. Frequently just a Death Metal band with some added Blackened spite, you also occasionally get a Black Metal band with some added Deathly brutality too. Very occasionally, however, you get bands that actually combine both styles in a convincing, equal way.

Tine are one such band. Combining the darkness and atmosphere of Old-School Black Metal with Death Metal’s feral core, The Forest Dreams of Black is a feast of spectrally enhanced Metal that takes elements of bands such as early Emperor and Behemoth to create 53 minutes of emotive Blackened Metal.

The Symphonic elements are nicely understated, making sure that they don’t overpower the rest of the music. They add and enhance, rather than overtake or smother. One of my all-time favourite Atmospheric Black/Death Metal albums is Depresy’s Sighting, so it’s a big compliment that The Forest Dreams of Black puts me in mind of this.

The music is clearly a passionate and personal affair for its creators, and this shines through in the music with a dark, poisonous light.

I have really enjoyed this release. There’s real feeling and atmosphere here, with an underlying emotional intensity that’s hard to ignore. The two different genres both come out in the songs in different ways and the commanding vocals are full of presence, bringing everything together to a charismatic focal point. A satisfying sound that isn’t too polished rounds off the impressive package and I am left with fond memories of a walk through a dark and dangerous forest, one that I’m happy to revisit again and again.

Highly recommended.

Temple of Baal – Mysterium (Review)

This is the fifth album from this French Black Metal band.

Their fourth album Verses of Fire was 61 minutes of top quality Extreme Metal and was a welcome experience that was a slight change of direction from their earlier, purer Black Metal approach. That album brought more Death Metal influences into the mix, although their Blackened side was still a huge component in their sound.

Fast-forward to 2015 and Mysterium relegates the Death Metal influences to the back seat and their Black Metal roots get to set the direction once more. This is not the more primitive Black/Thrash of their older work though; this is more refined, epic and gloriously sophisticated in its realisation. As such, the songs are generally longer and more involved than their previous averages, and the thick dark aura of the songs is cloying with its aggressive malevolence.

This release is full of Blackened riffs, blasting fury and evocative melodies. There’s a driving majesty that underpins each of the tracks on this album, so regardless of the particular style of music that makes up any given section it’s holistically all brought together by an iron will and a coherent vision. This shouldn’t give the impression of an album that’s “all-over-the-place” or struggling to find an identity as there’s none of that here. Rather, this is sophisticated Black Metal that still takes influences from Death and Thrash Metal, but they’re subsumed into the overarching Blackened style and whatever the band does with these influences is consistent and reasonable within the confines of their sound.

These songs are well-written advanced exemplars of the style and each one brings something extra to the table.

The vocals are dark growling screams, perfectly suited to the environment they find themselves in.

The production of the album is a strong one; it’s huge and powerful yet manages to maintain the feeling of raw, restrained chaos and fettered Blackened evil that the songs exude as easily as breathing.

I was a fan of Versus of Fire, but this is better. The progression of their sound is welcome and it seems that Temple of Baal are one of those bands that are always looking to better themselves and to see what they can do better or different next time. It’s not a massive change in style, of course, but it’s enough to make Mysterium into an extremely compelling and engaging listen.

Overall, this album is a triumph and really, really strong. However, there are times on this release when they really outdo themselves. Sometimes, when the drums are blasting, the rhythm guitars are full of emotive darkness and the leads are exotic and powerful…well…it’s just a hair-raising experience.

Great stuff. I’m very happy with Mysterium.

Gloom – Doggod (Review)

Gloom are a Spanish Death Metal band and this is their second album.

Gloom play Brutal Death Metal with a Blackened element that allows them to add a viciously melodic edge to their unrelentingly savage assault.

Vocally, we get grunting, pignoise and serrated screams. It’s an impressive display of violence and the various voices are all used when they need to be to wrench up the brutality.

Gloom know how to maximise the extremity of the music while retaining a dynamic approach to songwriting so that the listener doesn’t get bored of listening to the same thing over and over again.

Although they boast an undeniably barbaric core, the Black Metal influence allows the band to add an entire other layer to their assault, with ugly, Blackened riffs and evil atmospheres pervading the songs like an infection.

It’s an interesting approach, as the blasting mayhem is tempered by the malevolent atmosphere in such a way that these two aspects of the band seem at war with each other over which way is best to flay you. This is completely to the listener’s benefit though, as it results in songs that have a creative violence to them that is lacking in many extreme bands.

Imagine a more brutal, Blackened Behemoth, mixed with the hybrid assault of a band like Gloria Morti or Anaal Nathrakh and drenched in the filth of underground Brutal Death Metal…this is where Gloom lurk.

The production allows the band to showcase all of this and everything is pleasingly balanced. Fast or slow the band sound great, but manage to avoid becoming overly polished or sterile. This is music that has a foetid warmth that you can feel as it guts you.

These tracks really are an impressive collection of songs, and there are more interesting ideas and quirks of extremity on this album than a lot of bands manage in a career.

Highly recommended. The more I listen to this, the more it becomes a firm favourite of mine.

Blimey. Hugely impressive. I’m floored.

Evilheart – Quinquaginta (Review)

This is the third album from Mexican Blackened Death Metallers Evilheart.

Essentially evocative Death Metal with a Blackened twist, Evilheart impress with their vision of Extreme Metal on Quinquaginta.

Think of a cross between bands like Behemoth, Morbid Angel, Melechesh, Belphegor and Nile; bands that are at home combining heaviness and mood.

This is full of impressive riffs, leads and solos. The dark melodics and shining leads are richly textured against the harsh rhythms and pounding drums. It’s apparent that thought and practice has gone into this, and it’s an album that’s as precise as it is passionate.

The band work their magic though a mix sheer ferocity and bright melodics, knowing instinctively when to use one and when the other is more suitable. This results in a brutally atmospheric set of songs, allowing the band to choose the best tools for the job, whether that’s churning, seething ambience or straight-to-the-jugular blasting.

Quinquaginta is full of energy, dynamics and choice riffs. The songs are well-composed slabs of well-thought out and proficiently delivered Metal that have a good combination of instant appeal and depth for longevity.

At almost an hour in length this is an album that you can get absorbed in. There’s a lot to enjoy here and the song lengths allow the band to spread their dark wings and disseminate their message on their own terms and in their own time.

If you’re looking for some advanced Death Metal with a brutal atmosphere and professional delivery then Evilheart are here to provide you with what you seek. Very impressive.

Vorzug – Call of the Vultures (Review)

This is the début album from US Death Metal band Vorzug.

This is Old-School Blackened Death Metal that takes the brutal nature of Death Metal and adds a Blackened sheen via the guitars and high screaming.

The vocals primarily consist of deep grunts and are backed up by the aforementioned screams. The singer sounds like he’s gargling acid and his cookie-monster style is quite monstrous.

The guitars have a deeply ingrained Blackened edge to them that combines dark melodies with an older Death Metal influence. This results in a pleasing selection of riffs that provide a fresh perspective on the Old-School style.

The band have a good ear for a catchy riff and the Black/Death style means that they have just the right ratio of brutality to melody. The songs harken back to an older era where a good song was worth more than being the fastest/most technical/most brutal/etc.

Vorzug appear to be very talented at what they do and Call of the Vultures is notable for providing an Old-School fix but in a fresh-sounding way. Their passion is apparent for all to see, and in that way they remind me of the recent album from Gruesome, even if stylistically we’re in more Blackened waters here.

The music is propelled forwards by a strong drum sound, though all of the instruments sound good. It’s nice to hear the bass too, especially as it’s used to enhance the songs and is allowed to make its own mark on the tracks.

A very strong album, made a very enjoyable listen by the songwriting skills and catchy Blackened riffing. Definitely worth 33 minutes of your time.

Immortal Bird – Empress/Abscess (Review)

Immortal Bird are an interesting Death Metal band from the US. This is their début album.

This is not a typical Death Metal album. In fact it’s only Death Metal in the loosest sense really. Elements of Black Metal’s darkness and Grind’s chaos infuse it like diseases, while the brutal core only gets stronger and stronger due to these infections.

The singer has an absolutely scathing voice and her vocals seem to lash out of the venomous music like angry barbs.

The songs are an extremely impressive collection of styles and sub-genres. Fusing the atypical Death Metal of Gorguts, the emotive Grind of Cloud Rat, the Hardcore fury and aural inventiveness of Converge, the classic-style aura of Death and the Blackened taint of Ludicra – this is a real merging of different aspects of Extreme Metal, underpinned by a Death Metal core, resulting in an album that really is an incredibly impressive release.

As well as having a certain soft spot for some well-worn and classic genres/sub-genres, I also absolutely love it when you encounter a band that are doing something a bit different. Immortal Bird are the perfect kind of band for this, and I love that they throw so many Extreme Metal influences into their melting pot. The important thing, though, is that they’re doing it extremely well. This release is well-realised and sounds completely natural and unforced. The songs are just that well-written.

These tracks have it all, from blasting to angularity to atmosphere to melody to high-energy. For all the extremity on display here they still manage to throw in some hooks and the entire thing is actually very memorable, quite quickly.

This is the kind of music that causes you to take a sharp intake of breath and say to yourself, “holy shit”.

What more is there to say? You absolutely need Immortal Bird in your life.

This is going in my end of year list, make no mistake.

Abjvration – The Unquenchable Pyre (Review)

Abjvration are from France and this is their début EP. They play Death/Doom Metal.

Imagine the most hideously disgusting type of Doom that’s congealed around some sickening Death Metal to form an unholy mass of evil…this is The Unquenchable Pyre.

Huge, heavy-as-Hell riffs populate this release like disaster sites, almost relentless in their assault. Colossally slow guitars crush all before them and faster, more-Death Metal riffs punctuate the blackness like knife wounds.

The vocals are a thing of beauty, albeit a very warped and disturbing type of beauty, of course; utterly deep and pitch-black in their delivery of rolling, growling terror. They sound immense and ancient, just like the music.

The music oozes and seeps along, like some sort of infectious disease. There’s a real rank feeling of a wet, unhealthy underworld to this release and that’s an entirely complimentary comment. Abjvration have created something disturbingly special here.

The Doom riffs keep flowing and it’s only when the Blackened Death Metal parts break out that you remember they’re not just a pure Doom band.

What little melody there is on this EP is aimed at increasing the listener’s unease and the entire 27 minute playing time is a masterclass in creating rotting, noxious, heavy music.

This isn’t Black Metal but it shares a lot in common with the more foetid styles of the same. A deep, dark, miasma of Blackened pestilence hangs over this release like a funeral shroud and Abjvration milk this for every last drop of feeling that they can.

This is unapologetically Old-School Death/Doom that’s flawlessly delivered and expertly realised.

France continues to keep its reputation for producing high quality Extreme Metal intact. Abjvration are a dark revelation.

Infernal War – Axiom (Review)

Infernal War are from Poland and play Black/Death Metal. This is their third album.

This is ultra brutal Extreme Metal that takes no prisoners and is utterly relentless in its taste for killing. It’s heavy, nasty and downright evil.

Infernal War play a hybrid of Black/Death Metal that’s right on the line between the two styles. Blackened Death Metal, I find, usually leans in favour of Death Metal rather than Black Metal, but occasionally a band appears who gets the mixture just right and we end up with a band that’s hard to categorise into just one of the two. Extreme Metal is an apt description for this reason.

Mixing influences from bands like Behemoth, Marduk and Satyricon, Infernal War proceed to spread spite and bile across these 11 tracks.

Bestial drumming and sharp riffing collide to create fast songs where the band spread their nefarious message with a distinct aggression.

The tracks mainly hover around the 3-4 minute mark and this is ample time to blast their wares out.

It’s enjoyable to hear a band take the direct approach and at the same time merge the two genres in such a competent way. This album is perfect for when you want something that’s hyper-aggressive but can’t decide whether to listen to Death Metal or Black Metal. Infernal War fill the gap and Axiom is a highly recommended listen.