This is the third album from solo black metal act Selbst, originally from Venezuela, and now Chile.
Following on from 2020’s Relatos de Angustia, Despondency Chord Progressions contains 44 minutes of new material. The artist behind Selbst, (also in Animus Mortis), is aided on this release by the drummer of Aversio Humanitatis/Eternal Storm, and has created something quite special. Continue reading “Selbst – Despondency Chord Progressions (Review)”
This is the second album from New Zealand black/death metallers Heresiarch.
Prior to Edifice my first and only encounter with Heresiarch was on their 2019 split release – Scorn Coalescence – with Serpents Athirst, Genocide Shrines, and Trepanation, so this new album seemed like a good opportunity to find out what Heresiarch are capable of with a full album. Continue reading “Heresiarch – Edifice (Review)”
This is the third album from Verberis, a black metal band from New Zealand.
I discovered Verberis on their 2022 album Adumbration of the Veiled Logos, and was very impressed. So when this new record appeared, it was with no small amount of excited interest that I hurriedly pressed play, eagerly to soak up its esoteric charms. Continue reading “Verberis – The Apophatic Wilderness (Review)”
This is the second album from international black metal band Lvme.
Of Sinful Nature contains 45 minutes of esoteric and mysterious black metal. Taking influence from traditional black metal and then incorporating modern elements into it, Lvme’s music will be of interest to fans of bands such as Funeral Mist, Deathspell Omega, Mayhem, Dødsengel, Nightbringer, Verberis, and Blaze of Perdition. Continue reading “Lvme – Of Sinful Nature (Review)”
This is the second album from Verberis, a black metal band from New Zealand.
Across five expansive songs, Adumbration of the Veiled Logos spends 58 minutes transporting the listener to vast blackened soundscapes and subjecting them to harrowing esoteric visions. Continue reading “Verberis – Adumbration of the Veiled Logos (Review)”
Wonderbox Metal 