Old-School Death Metal – Page 38

Hellsworn – Repulsive Existence (Review)

Hellsworn are a death metal band from the UK. This is their debut EP from a few years ago, re-released with a bonus track.

This may be from the UK, but it has SWEDISH DEATH METAL stamped all over it in giant, ugly letters. It’s raw, filthy and has enough chainsaws to keep any fan of the style happy.

Yes, yes, I know; do we really need another band playing this kind of thing? Well, as I sit here listening to it at the moment, I can only conclude that we do, as they’re currently Continue reading “Hellsworn – Repulsive Existence (Review)”

Crematory Stench – Crematory Stench (Review)

This is the début EP from Crematory Stench, who are a US death metal band.

Here we have a brief 12 minutes of morbid old-school death metal. There’s no messing around here, just atavistic, brutal, ugly music.

The songs are Continue reading “Crematory Stench – Crematory Stench (Review)”

Morthus – Over the Dying Stars (Review)

Morthus are an old-school blackened death metal band from Poland. This is their début album.

Now this is quite exciting. I’ve been looking forward to hearing something more from this band ever since their début EP The Abyss arrived in 2014 and floored me with its combination of death, black and classic metal. Continue reading “Morthus – Over the Dying Stars (Review)”

Macabra – …to the Bone (Review)

This is the second album from this death metal band, a collaboration between American and Belgian members.

Macabra specialise in old-school death metal that has a 90s Scandinavian flavour. Theirs is a paean to the atmospheric death metal of the 90s, as espoused by bands such as Amorphis and the like.

Quality riffs, the likes of which Continue reading “Macabra – …to the Bone (Review)”

Demonic Rage – Omen of Doom (Review)

Demonic Rage are a Chilean death metal band.

Omen of Doom is a compilation of a lot of the band’s early hard/impossible to get demos dating back as far as 2001.

Due to the nature of a release like this the sound quality does vary between the various demos, but overall the band have unearthed a surprisingly well-preserved rotten corpse. The recording and production values deteriorate the further back in time you go, but even this doesn’t diminish the essential quality of what the band produce. Continue reading “Demonic Rage – Omen of Doom (Review)”

Witch Vomit – A Scream from the Tomb Below (Review)

This is the début album from US death metal band Witch Vomit.

This is 31 minutes of old-school death metal that sounds as if it was torn straight out of the 90s.

Witch Vomit take the Swedish death metal sound and add Continue reading “Witch Vomit – A Scream from the Tomb Below (Review)”

Vulture Wings – Funeral Grounds (Review)

This is the début EP from this Brazilian Death Metal band.

This is old-school Death Metal that rumbles and chugs its way through the playing time, but is not without melody or nuance as it goes about its gory business.

The production is Continue reading “Vulture Wings – Funeral Grounds (Review)”

Killing for Company – House of Hades (Review)

This is the début album from Norwegian Death Metal band Killing for Company.

Killing for Company’s music seems like it has congealed from a pool of blood that’s seeped out of the corpse of old-school Death Metal. To get an idea of the band’s sound, think Bolt Thrower and Autopsy; mix this with a bit of, (old), Hypocrisy and then add in some atmosphere and coloured melody. Continue reading “Killing for Company – House of Hades (Review)”

Funeral Whore – Phantasm (Review)

This is the second album from Funeral Whore, who are a Death Metal band from The Netherlands.

We have briefly met Funeral Whore before, during their very tasty split with Obscure Infinity – Summon the Undead.

Funeral Whore play old-school Death Metal that reeks of the crypt and lands somewhere between Incantation, Bolt Thrower and Dismember in style.

As on their split with Obscure Infinity, Funeral Whore are, (deliberately), rough around the edges, lending their music a real underground feeling.

Heavy riffs and hammering drums crush and destroy while deep, gruff vocals belch out obscenities. The songs drip with old-school malevolence, sinister leads and dark melodies.

It’s easy to enjoy this kind of atavistic Death Metal, especially when it’s written with songs and mood in mind as these tracks clearly are. Funeral Whore know what they’re doing, it seems.

If you have any love for the old-school style of Death Metal then it’s worth checking out Funeral Whore as Phantasm is a very satisfying listen.

Slaughterday – Laws of the Occult (Review)

This is the second album from German Death Metal band Slaughterday.

Slaughterday already have a couple of solid releases behind them, (their début album, Nightmare Vortex, and an EP, Ravenous), and this new album continues the trend with 43 minutes of quality, timeless Death Metal.

The band have a talent for writing enjoyable leads and solos, as well as meaty rhythm guitars. If anything, they’ve stepped up their game on this release, with the flowing, grim leads and electrified solos especially.

Featuring a slightly more morbid overall sound than previously, Slaughterday reek of the grave and these songs once again show that the band continue to unleash high-value Death Metal on the world with every release.

As always, I like Slaughterday the most when they play on the slower end of the spectrum. It’s not that there’s anything wrong with their faster work, it’s just that I really enjoy the slower/mid-paced riffs and the moods that these parts evoke.

The singer’s voice is just as guttural as ever, accompanying the well-written music with merciless growls. The overall impact is that of a focused and complete album, with everything where it needs to be and sounding like it should.

This is a very enjoyable release, and I’d recommend this for anyone who has a taste for the old-school.