Interview with Warfather

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The new Warfather album – The Grey Eminence – is a focused, atypical take on death metal’s savagery; a thinking man’s brutality that still knows how to let loose and blast out a good tune. It’s a very catchy and memorable album that impresses on first exposure and merely improves the more you listen to it. Vocalist/guitarist Steve Tucker tells us more…

Introduce us to Warfather!

Warfather consists of myself on guitar and vocals, Jake Koch on Guitar and Bryan Bever on Drums, I played the bass on the album, however we will use a live bassist that also does some vocals with me.

What are your influences?

I believe the Influences in Warfather would be Old school metal and Thrash, early death metal.

Name five things you’ve listened to recently that you’d recommend

Continue reading “Interview with Warfather”

Interview with Defiatory

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Defiatory are a thrash metal band from Sweden that have released a rather storming debut album called Extinct. Combining thrash’s classic sound with a more modern style, it’s a really strong first release, and one that I’ve been spinning rather more than I expected to. There’s something very catchy and more-ish about it, which is as it should be for any good metal album of this type. I took the opportunity to find out more about this new band…

Introduce us to Defiatory!

Defiatory is a band from Umeå, Sweden. Established in 2015. We started as a two piece band, recording demos for fun. But we got a lot of good reviews on our demo tracks and thought what the hell, lets make something out of this. And here we are!

What are your influences?

Early 90’s bay area thrash metal such as: Exodus, Metallica, Testament, Megadeth and the likes.

What inspires you about thrash metal?

Continue reading “Interview with Defiatory”

Interview with The Sound That Ends Creation

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The debut album from The Sound That Ends Creation is named We Are the Burden, but what a glorious burden it is. The bastard offspring of grindcore, hardcore, sludge, mathcore, death metal and black metal, it’s the kind of release that’s just plain nasty and savage, rending the listener limb from limb with its extremity. I caught up with the brains behind the outfit to find out a bit more…

Tell us a bit about the background of The Sound That Ends Creation

There’s not much to say, I started working on the songs at the beginning of the year and I wrote enough for an album.

How did the name originate?

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Interview with Outright Resistance

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UK metal band Outright Resistance’s latest EP Me Vs I is a promising introduction to the band and their take on grooving metal. Drummer Michael O’Neill tells us more…

For those who are unfamiliar with your band – introduce yourself!

Ahoy hoy, we are Paige Lee on le vocals, Michael ‘Grandad’ Worsley on a guitar, Joe ‘Dreamy’ Jacobs on a second guitar, Sir Chris Everett of Bass’ingdon and Michael ‘Nelly’ O’Neill on the drums.

Give us a bit of background to Outright Resistance

We are from Stevenage, Hertfordshire. in 2011. Our music is something that we relate to, be it songs about personal mental struggles visualised in multiple different forms, or music where we wish to show you that while we’re around no one needs to fight their battles alone. We’ve had our own different battles and had music there to lean on, we’re now attempting to repay that favour with our own music. Continue reading “Interview with Outright Resistance”

Interview with Spellcaster

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Spellcaster’s third album Night Hides the World is a release that I’ve found so very easy to get on with. The high energy delivery, the sterling, soaring melodies, the insanely catchy songs…it all makes for an album that’s got high-repeat value and is just really, really good. Guitarist Bryce VanHoosen gave me a bit more background to the band and what makes them tick…

Tell us a bit about the background of Spellcaster

SPELLCASTER was started in 2009 as a fairly traditional speed metal band and released their debut, Under The Spell, in 2010. I joined in early 2013 after there was a fairly severe lineup shift. Tyler, our vocalist, originally played guitar, but moved to vocals after we parted ways with the original singer. I jumped on second guitar, and Colin took over on drums after the first drummer quit. We released our second album, SPELLCASTER, in 2014 and started a touring cycle for that album. We caught the attention of Prosthetic Records and signed a deal with them for our newest album, Night Hides The World, and are starting a touring cycle for that album now. Continue reading “Interview with Spellcaster”

Interview with Aktaion

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The second Aktaion album has arrived. After being very impressed by their first album Throne, The Parade of Nature is even better. Following up their debut with more experience and even better tunes, Aktaion continue to be one of my favourite modern metal bands out there. Head honcho Francis Larsson gave me an update on all things Aktaion…

Tell us a bit about the background of Aktaion

Well the roots of Aktaion go back to 2010 as most of the members worked together on another project which would turn into a studio project where most of the songs on our first album Throne would take form. With the release of Throne we decided on starting Aktaion as a new name for the band and we took the project to being a “traditional” band. We released Throne and quite soon after that toured Sweden and Finland. After that we joined the Blood Mantra Balkan Tour behind Decapitated, Hate, Thy Disease and Krysthla and visited most of the Balkans!

What are your influences?

Influences range from metal to singer/songwriting to very much everything else in life. And a great guitar tone is essential to spark some most of the ideas we morph into songs. Continue reading “Interview with Aktaion”

Interview with Monolithe

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French doom band Monolithe continue to impress with every new release, and latest album Zeta Reticuli is no exception. Guitarist Rémi Brochard explains a bit more about the concept behind the release, and how it fits in with Epsilon Aurigae

Introduce us to Monolithe!

MONOLITHE is a dark/doom metal band. The band was created in 2001 by guitarist/songwriter Sylvain Bégot and has released 6 albums, one compilation and 2 EP.

What are your influences?

In the beginnings, that might be British early doom/death bands, some death metal bands and a lot of everything else, really.

Name five things you’ve listened to recently that you’d recommend

Actually, speaking for myself, I listen to prog metal a lot, with greats bands such as Circus Maximus. I also listened to the last Moonsorrow; not their best but still a great album that I highly recommend. I discovered the new Winterhorde album, Maestro, a prog black metal band which kicks ass. Also King, the last Fleshgod Apocalypse album, and a nice discovery: Carpenter Brut, a French electro project, which reminds me the movie Drive’s OST! Continue reading “Interview with Monolithe”

Interview with Revocation

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Revocation’s sixth album Great Is Our Sin is soon to be unleashed on the world and will be sure to reinforce the band’s already top-notch reputation for quality metal. As such, it seems an appropriate time to delve a little bit more into the world of Revocation. So, put on Great Is Our Sin, turn the volume up and listen to what David Davidson has to say…

Introduce us to Revocation!

Hello! Dave here, we’ve been a band since 2006 and we’re released 5 albums and 1 E.P. in our 10 year history through a couple of different labels. Currently we’re signed to Metal Blade Records and we’re about to release our 6th full length record “Great is Our Sin” on July 22nd.

What are your influences?

We’re influenced by a lot of different death and thrash metal bands primarily, but we also draw inspiration from black metal and prog bands. Some specific groups that have influenced us over the years include Martyr, Gorguts, Cannibal Corpse, Dark Angel, Megadeth and Exhorder just to name a few. Personally speaking I also listen to a lot of jazz and classical music so that definitely has an effect on my writing style as well. Continue reading “Interview with Revocation”

Interview with Katalepsy

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I’m a big fan of death metal, it’s fair to say, and I listen to a lot of it. Sometimes though, something sticks out as particularly enjoyable or exceptional, and Gravenous Hour by Katalepsy is one such release, making it more than worthy enough for an extra grilling…

Introduce us to Katalepsy!

Katalepsy is a death metal brigade from the heart of Russia, Moscow. We play this kind of extreme music for more then 10 years and don’t plan to stop. We released three full-length albums and played a lot of shows all over the Europe. New album, entitled GRAVENOUS HOUR was released 27 May 2016 by Unique Leader Records.

What are your influences?

Our lives, feelings and thoughts are motive powers to our music. We try to reflect our inner worlds in music we create. Continue reading “Interview with Katalepsy”

Interview with Vanhelgd

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Temple of Phobos is a monster of a death metal album. Vanhelgd have shown, once more, that they really know what they’re doing with the style. If you’re a fan of well-written death metal that effectively combines both heaviness and atmosphere, then it’s absolutely an album to check out. With that in mind, let’s find out a bit more…

For those who are unfamiliar with your band – introduce yourself! Give us a bit of background to Vanhelgd

In the end of the year 2007 Vanhelgd was formed by Björn Andersson (drums), Jimmy Johansson (guitars, backup vocals) and Mattias Frisk (guitars vocals). After making a unreleased demo Vanhelgd recorded eight songs in Backbone studios in Mjölby and the first full length album “Cult of Lazarus” was released by Crematorium Records in November 2008. The band got in contact with the US based Nuclear War Now! Records who decided to release “Cult of Lazarus” as a 12” LP in 2009. In the Summer of 2009 Vanhelgd recorded a couple of new demo songs. One of the tracks from that session, “Nec spe, nec metu” was featured on the “Invocation of death” compilation, released in June 2010 by Death invocation records. Vanhelgd started to work with the recording for their second full-length album “Church of Death” in april 2010. Due to various problems they didn’t finish until September the same year. Two of the songs were taken out to be featured on the EP “Praise the Serpent” which was released on the Nuclear War Now! Fest part 2 in Berlin where the band also performed. In 2013 bass player Viktor had to leave the band and Jonas Albrektsson ( King of Asgard, Retaliation, ex- Thy Primordial) joined for the third album ”Relics of Sulphur Salvation” that were released by Pulverised Records and 20 Buck Spin. In the end of 2015 Vanhelgd once again entered Studio Underjord to record their fourth studio album ”Temple of Phobos” that will be out on July 22 on Pulverised records and Dark Descent. Continue reading “Interview with Vanhelgd”