This is the debut album by Eteritus, a death metal band from Poland.
Eteritus play old-school death metal that takes an influence from the Scandinavian scene.
The familiar criticism of most bands playing Continue reading “Eteritus – Following the Ancient Path (Review)”
The End are a death metal band from the US. This is their debut EP.
Featuring ex-members of Massacre and Death, this is 13 minutes of old-school Floridian death metal that sees the band take their Death/Massacre backgrounds and use them to craft a brutal assault that also takes more current influences into account. Continue reading “The End – Age of Apocalypse (Review)”
Brutally Deceased are from the Czech Republic and play death metal, this is their third album.
The band features members and ex-members of Heaving Earth and Jig-Ai, it seems. I really, really enjoyed the band’s debut album, Dead Lovers’ Guide, but missed their second, so on this new release it’s way overdue for me to get reacquainted with the band. Continue reading “Brutally Deceased – Satanic Corpse (Review)”
Mercyless are a French death metal band and this is their sixth album.
This is a band that have been around for quite some time at this point, and you’d better believe they know a thing or two about their killing art.
Last year’s split with Crusher was a solid example of their riff-led, ferocious style, and acted as somewhat of a taster for this new album. Continue reading “Mercyless – Pathetic Divinity (Review)”
This is the debut EP from US death metallers Deathcrown.
Raw, nasty, old-school death metal with a Swedish-styled delivery, plenty of groove, lightning solos and a modern freshness? Yes please!
The above description is all you need to know in many ways, but don’t make the mistake of dismissing Deathcrown as just another Swedish death metal clone, that would be a a grave injustice.
Sure, they play the style with Continue reading “Deathcrown – Living Hell (Review)”
Hailing from Sweden, this is the third album from death metallers Decomposed.
The band’s 2014 album Devouring was hugely enjoyable. Firmly rooted in old-school Swedish death metal, it delivered 36 minutes of very satisfyingly crushing music.
Fast forward to 2016, and we have Wither; 38 minutes of the same kind of crushing, satisfying death metal. Continue reading “Decomposed – Wither (Review)”
This is the third album from one-man death metal act Fetal Autopsy.
One-man death metal is a lot less common than one-man black metal is. This is a not a comment that really has any relevance to this review, I suppose, but there we are.
Okay, so Fetal Autopsy has 50 minutes of stocky, muscular death metal. Underground, brutal death metal is usually Continue reading “Fetal Autopsy – Backwoods Bloodshed (Review)”
Hailing from The Netherlands, this is the ninth album from legendary death metallers Asphyx.
Asphyx are a well-known band for a reason and new material from them is always welcome.
Incoming Death contains 48 minutes of colossal death metal, with huge riffs and drums that drop like bombs.
War-themed and crushingly heavy, this is an album that sweeps you away as soon as you start playing it. Sure, there are Continue reading “Asphyx – Incoming Death (Review)”
This is the second album from Deprive, a one-man death metal band from Spain.
This is thickly emotive death metal, forged in the fires of the 90s metal scene. This was a time when death metal was allowed to be slower and incorporate elements of doom/death to increase the atmosphere, and this is something that Continue reading “Deprive – Temple of the Lost Wisdom (Review)”
Harm are a German death metal band and this is their second album.
It’s been a few years since Harm’s 2013 debut album Cadaver Christi first landed like a high-explosive shell, and since then we’ve been hungry for more. Well, wait no longer, as Harm are back.
What I like about Harm is how Continue reading “Harm – The Evil (Review)”
Wonderbox Metal 