This is the debut album from Dead Register, a post-metal band from the US.
This is a slightly different take on what most post-metal bands are doing, and Dead Register have managed to pull off an unusual feat – Fiber is not an album that readily sounds like many others out there. Continue reading “Dead Register – Fiber (Review)”
In the Company of Serpents are a doom/sludge band from the US and this is their third album.
We’re familiar with the work of In the Company of Serpents from their 2014 EP Merging in Light. This was a delightfully heavy and fuzzed-up example of pitch-black doom, and now the band have returned to once more pulverise everything before them, but this time in a slightly different way. Continue reading “In the Company of Serpents – Ain-Soph Aur (Review)”
Palmer are a post-metal band from Switzerland and this is their third album.
Palmer play contemporary heavy music that takes in elements of metal, sludge, progressive metal, post-metal and post-hardcore into its embrace. These influences manifest in various ways throughout the album, but Continue reading “Palmer – Surrounding the Void (Review)”
This is the second album from Greek sludge/post-metal band Allochiria.
Taking the post-metal holy triumvirate of Isis, Neurosis and Cult of Luna as their base influence, Throes works with this starting point and adds heavier, more aggressive sludge metal elements into the mix. Continue reading “Allochiria – Throes (Review)”
[::] are an instrumental post-metal band from Poland. This is their debut album.
Pronounced 4 Dots, the band features an ex-member of the mighty Obscure Sphinx, which immediately made me keen to find out what they had to offer on this release.
The album reveals itself Continue reading “[::]/4 Dots – Aux::in (Review)”
Obscure Sphinx are a post-metal/progressive doom band from Poland. This is their third album.
2013’s Void Mother was one of my favourite albums of that year. Fast forward 3 years and my anticipation for Epitaphs is at fever pitch.
Obscure Sphinx are one of those oh-so-rare bands that are very definitely leaders and not followers. How they haven’t been Continue reading “Obscure Sphinx – Epitaphs (Review)”
This is the eleventh album from legendary genre-forgers Neurosis. They play post-metal/progressive sludge/doom/whatever.
The impact of Neurosis on the post-metal/sludge/doom/etc. scene is immense and has been well-documented, of course. Suffice to say that this is an important band producing important music. They always have been and probably, (hopefully), always will be. Continue reading “Neurosis – Fires Within Fires (Review)”
This is the debut EP from Irish post-metal/doom band Third Island.
Building atmosphere with steady grace and gentle insistence, Third Island take a subtle, almost-sensual approach to their post-metal explorations. That’s not to say that they don’t know how to ramp up Continue reading “Third Island – Dusk (Review)”
Morrow are a UK-based doom/sludge/crust band. This is their latest album.
This is one of those releases that will likely infuriate those who like music that’s easily classifiable. According to the band, they’re emo crust, and I can see why they’d say that. In my opinion, describing Morrow as a d-beat influenced crust band may be superficially correct in some ways, but there’s so much more than that going on here. They have a cello Continue reading “Morrow – Covenant of Teeth (Review)”
Inter Arma are a US post-metal band and this is their third album.
Well, here we have something that has a massive amount of expectation attached to it, at least from me. Their 2014 release The Cavern was a single 45 minute track that came close to attaining perfection. It was, quite simply, the best thing I heard that year, which is why it was my album of the year for 2014.
So, it’s with no pressure, (hehe), that I pressed play on their latest release, and let the band’s involved soundscapes take me away. Continue reading “Inter Arma – Paradise Gallows (Review)”
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