This is the third album from Belgian death metallers Carnation.
Carnation made a mark with 2018’s Chapel of Abhorrence and 2020’s Where Death Lies, so checking out what Cursed Mortality had to offer was mandatory. It seems like each Carnation album gets tighter and more refined, and Cursed Mortality is their most streamlined album yet – eight songs in a lean 35 minutes. Continue reading “Carnation – Cursed Mortality (Review)”
This is the fourth album from German death metal band Endseeker.
Endseeker are a band that are very easy for me to like. Despite cooling on the Swedish death metal style over the years, I fail to be indifferent to Endseeker’s crushing assault. Both 2019’s The Harvest and 2021’s Mount Carcass were thoroughly enjoyable examples of the style, so will Global Worming follow in their thunderous footsteps? Continue reading “Endseeker – Global Worming (Review)”
This is the third album from German death metal band Endseeker.
2019’s The Harvest was a solid and enjoyable slice of Swedish-influenced death metal, so when the 36-minute lump of sinew and teeth that is Mount Carcass appeared on the horizon, I knew I wanted to embrace it eagerly. Continue reading “Endseeker – Mount Carcass (Review)”
This is the second album from German death metallers Endseeker.
Endseeker play old-school death metal, with a notably Swedish flavour. It’s big, bold, brash, and brutal. Continue reading “Endseeker – The Harvest (Review)”
Wonderbox Metal 