Morfin – Inoculation (Review)

MorfinMorfin are from the US and play straight-up classic Death Metal.

We get 10 tracks, including a Death cover; which should give you a good idea of where Morfin’s loyalties lie in the Death Metal hierarchy. In fact if you like Death, (and who doesn’t?), then you should like this also.

From the album cover to the album production this screams Old-School at the top of its diseased lungs and then falls to the floor to devour a fresh corpse once it has done so.

Somehow Morfin appear to have captured and bottled early Death Metal and are swigging liberally from it regularly. Rather than sounding derivative, tired and old though it somehow has a rejuvenating effect and this sounds as fresh as it did back in the day. Morfin may have a bit of Death hero-worship going on but when they have the formula this right who cares?

Importantly it’s not just the feel and style of the album that they have the secret ingredient for, but they also have the songs to back it all up. The tracks rumble away one after another and before you know it all 45 minutes have expired and you’re sitting there with a rictus grin on your face wondering where you got the blood on your hands from.

So join me now; shout it loud and proud – MORFIN!!!

Sol Negro – Dawn of a New Sun (Review)

Sol NegroThis is one Hell of a Death Metal album. Sorry, I mean Black Metal. Oops, I mean Doom Metal. Hang on, I mean Progressive Metal…

Sol Negro have a very curious sound that will have people who enjoy pigeon-holing bands running for the hills in fear. They have aspects of Black, old-school Death and Doom in their sound and yet somehow manage to sound independent of each genre, creating something that effortlessly takes aspects of different sources and melds them together into an album that really is a bit different and a bit damn special. The closest vibe I can think of I suppose is a Celtic Frost-esque one.

The songs have an instant timeless feel to them as if you’ve always known them, yet you can tell that it is not an album to tire of easily. Repeated plays bear this out; there is depth and longevity here. The songs contain straightforward easily-accessible passages, but can quickly turn more progressive and emotive at the drop of a plectrum. No easy feat.

The vocals are accomplished and tread a fine line between Black Metal and old-school Death Metal. The old-school vibe permeates the music as well, with the riffs and bass reminding of Death at points before venturing into more Black/Doom/Prog territory on others. Regardless of what they’re playing and how, the overwhelming feeling is that yes; you are indeed listening to a Metal album through and through, and one to be proud of.

These tracks are even strong enough to stand side-to-side with a Paradise Lost cover, which is performed to a very high standard and sits more than comfortably with the original material. This band know their stuff; just listen to the start of They Came From Darkness for example. Phew!

An extremely top-rate album that I’ll be listening to for some considerable time to come. Do yourself a favour and pick this one up.

Kuazar – Wrath of God (Review)

KuazarKuazar are a Thrash Metal band from Paraguay with a good Death Metal influence in their sound; they have the bite and aggression of old-school Kreator mixed in with some old-school Death Metal from the likes of Death.

The important thing here is the songs. The recording may be relatively low-budget compared to some, (but that’s not to say it sounds bad, quite the reverse), but no expense has been spared in the songwriting. Each track has good riffs, tight drumming and a thought for dynamics and structure.

This is an almost-relentless Thrash attack. But not completely. They may be aggressive but they still have some melodic flourishes and solos aplenty, as well as some moments to catch your breath such as Inner Prison.

The vocals for the main part are raspy and full of bile. Mixed with some almost-clean passages and Death growls the singer offers more than might have been expected and overall puts in a very good performance.

This is undeniably a high-quality album. It’s a couple of years old now so I’m hoping they may have something new to unleash on the world soon. To my mind the world can never have enough great Thrash. Highly recommended.