Doom Cult Commando – Das Erwachen der Schlange (Review)

Doom Cult Commando - Das Erwachen der SchlangeDoom Cult Commando are a German black metal band and this is their debut release.

Originally seeing the light back in January, Das Erwachen der Schlange is a 19-minute assault of raw black metal. Across four tracks, Doom Cult Commando reveal their iron grip on what it takes to make old-school Satanic black metal. The production is grim and raw, but not overly so, and the band weaponise this in their war against the light. Continue reading “Doom Cult Commando – Das Erwachen der Schlange (Review)”

Heathen Deity – Satan’s Kingdom (Review)

Heathen Deity - Satan's KingdomThis is the second album from UK black metallers Heathen Deity.

Brought to us by current and ex-members of Hecate Enthroned, Helvellyn, Nefarious Dusk, and SkiddawSatan’s Kingdom contains 59 minutes of old-school Satanic black metal, although of a more expressive and higher quality than you typically find in the wild. Continue reading “Heathen Deity – Satan’s Kingdom (Review)”

Burial – Rejoice in Sin (Review)

Burial - Rejoice in SinThis is the fourth album from UK black metallers Burial.

I haven’t caught up with Burial since their 2016 album Unholy Sedition, so it is high time I did once more. Featuring in their ranks members of Cairns, Foetal Juice, and Wolfbastard, Burial know what they’re doing with their music, and Rejoice in Sin delivers 40 minutes of raw iciness for the listener to get frozen by. Continue reading “Burial – Rejoice in Sin (Review)”

Asagraum – Veil of Death, Ruptured (Review)

Asagraum - Veil of Death RupturedThis is the third album from international black metallers Asagraum.

After thoroughly enjoying 2017’s Potestas Magicum Diaboli and 2019’s Dawn of Infinite Fire, (especially the latter), Veil of Death, Ruptured is one I’ve been looking forward to. It has surpassed my expectations too, let me tell you that now. Continue reading “Asagraum – Veil of Death, Ruptured (Review)”

Neglektum – Blasphemer (Review)

NeglektumNeglektum are from Sweden and play Satanic Black Metal. This is their début album.

This is dark and evil Black Metal with an icy sound and Devilish intentions. Their sound is distinctly raw and underground, but it’s a strong one nonetheless. For me the weakest link of a lot of bands who play this style of Black Metal is the drum sound as it usually comes across as really feeble. Pleasingly Neglektum have avoided this and the drums have a clear, forceful presence.

The vocals are mainly high and raspy, with the singer howling out litanies to dark powers and praises to evil in the way that Black Metal bands frequently do. It’s done well and no-one can doubt the obvious enthusiasm and passion that is emitted. He also tries his hand at some cleaner vocals occasionally and these aren’t half bad either.

The songs are quality songs that vary in speed and tempo depending on the mood. When playing faster they have an aggressive presence that is propelled by the drums and harsh screaming. The slower sections have lurking feelings of doom and dismay that seem to be bubbling just beneath the frozen layers of guitars attempting to break through.

The guitars are adept at radiating cold; they are suitably varied and hold attention throughout. The bass is even audible and makes a worthwhile contribution to the cause. Sinister melodies and infernal harmonies infect the guitar playing and really do a lot to add depth to the compositions.

Neglektum have successfully taken the standard Black Metal template and used it to create a monster of an album. Anyone who thinks that Black Metal has grown stale and needs frills, experimentation or dilution with other genres to be relevant or sound good needs to hear Neglektum.

Are you a Black Metal fan? Then get Blasphemer.