Dimmu Borgir – Page 7 – Wonderbox Metal

Amiensus – Restoration (Review)

Amiensus are from the US and play Progressive Black Metal with plenty of melody and epic feelings.

Keyboards and other effects transform the already pronounced melodic talent of the band to another level, washing over the listener in waves of atmosphere.

Restoration skillfully blends aspects of bands such as Opeth, Agalloch and Dimmu Borgir into a talented melting pot and adds something of its own personality to the mix to avoid sounding derivative; the results of which have led to this pretty special release.

I usually find this genre of music a bit too sickly and derivative, essentially it’s easy to do but hard to do well. Whatever this magic, secret ingredient is that makes an album like this great without sounding like another clone of the aforementioned bands, Amiensus appear to have it in spades.

Meaty guitars cloaked in wistful mood and dripping with ear-candy dominate this release, while angelic vocals croon and soar alongside harsher cries and grunts. Female vocals are used to punctuate the atmosphere when needed and are a great asset to the band.

The album flows easily from one song to the next; the symphonic nature of the band working perfectly to accentuate every harmony and lamentation into a seamless whole until suddenly the 46 minutes playing time has elapsed and you’re left simply wanting more.

As début albums go this is high quality indeed and quite an achievement for such a young band. If album number one is this accomplished I can only imagine what album number two will be like.

Here’s to more in the future. You should get this.

Hybrid Nightmares – Hybrid Nightmares (Review)

Hybrid Nightmares are an Australian Extreme Metal band with Black Metal and Progressive leanings.

This band are clearly talented at what they do, and what they do is craft Extreme Metal songs. These songs have a solid foundation in Black Metal but have embraced Progressive Metal tendencies that lift the tracks outside of the original genre and into a wider arena. In fact the main thing that’s Black Metal about them is the vocals and logo really.

The Second track Upon the Cursed Wings is a perfect example of this. It starts with a Metal, almost rocky swagger before slowing down to a nice groove with the Black Metal vocals kicking in. The double-bass sections, solid melodies and nice chuggy riffs reveal a real knack for songcraft. Bands like Septic Flesh, Agathodaimon, certain bits of Dimmu Borgir, (sans orchestration), and even Amon Amarth spring to mind.

The recording is as good as anything out there at the moment – everything sounds crystal clear and full of life. There’s been no slacking in this department, or any other. This is a consummately professional release in every way. This doesn’t leave the music sounding soulless and clinical however. Actually the opposite is true as the songs are presented in an appropriate format that allows the listener to take in everything that is going on, and that’s quite a bit. Special mention should indeed go to the riffs – there are some stormers here! Ashes of an Astral Winter is a veritable riff-fest of top Metal calibre.

A really good EP. If they get their foot in the door of the international stage they could go far.

Xul – Malignance (Review)

From Canada; Xul play a bludgeoning brand of blackened Death Metal, with plenty of confidence and assurance. Xul combine both Black and Death Metal in a meaningful way – imagine a sound that is half-way between Behemoth and Dimmu Borgir, sans symphonics, (if that makes any sense).

At about 38 minutes in duration the album is just about the right length. Gritty and raw but still sounding tight and professional – the songs zoom by in a whirlpool of brutality and dark melody.

Sit back, hit play and hold on!