This is the fourth album from Swiss black metal solo act Ashtar.
I enjoyed both 2015’s Ilmasaari and 2020’s Kaikuja, so wanted to check out Ashtar’s latest. Since those albums the band have become a solo endeavour, and I missed the artist’s 2023 album Wandering Through Time somehow. A little over a year since that record though and we have The Return of the Frozen Souls, which features 45 minutes of black/doom metal, (including a Samhain cover). Continue reading “Ashtar – The Return of the Frozen Souls (Review)”

