This is the second album from Greek experimental/post-metal band Spineless.
Dysphonia is a record that blends a few different influences together. Post-metal, doom, post-rock, electronica, and industrial influences are all used in service of the music’s goals; the crafting of experimental soundscapes that paint striking pictures for the listener to explore.
The promo blurb mentions a few different artists – Chelsea Wolfe, Godflesh, Mike Patton, Mono, Neurosis, Ulver – which should give you a rough starting point for Dysphonia‘s sound.
The songs are brief creations of musical expression that may be short, but are impactful. Only one track goes above four minutes, but within their spaces each song delivers a well-realised musical experience. Whether it’s by an angular riff, crawling doom, an industrial stomp, electronic flourishes, graceful beauty, or something else entirely, there is much to get your teeth into on Dysphonia. There is instant appeal, but also atmospheric weight and emotive depth. Dysphonia gets better over time.
The vocals range from the occasional harsh snarls to powerful cleans. Both are well-performed, but it’s the latter that are the true focal point of the music and offer the primary mode of delivery.
Spineless have released a solid, enjoyable album. Its relatively brief duration – 34 minutes – belies its impact and breadth.
Highly recommended.
Wonderbox Metal 