Playing the easy-listening proto-Metal Doom Rock so beloved in the 1970s, while also incorporating wider sounds from 60s psychedelia, Witchcraft have the retro vibe fully sewn up. It would be sickening if it wasn’t so damn good.
That’s the real central point about a band like this; they really are just that good. There’s a lot of music on Nucleus, but all of it is stamped with pure quality and it soars high over the heads of most bands that try their hand at this kind of thing.
Another interesting aspect of Nucleus is that even though it positively wallows in the past, and the production embraces this, it still sounds solid, professional and tight, despite an unashamedly old-school sound in many ways. Put simply, they manage to sound huge and polished without actually being overtly so. Impressive.
I like that there’s an exploratory sound to their music, influenced by the more progressive aspects of the 70s in some ways; it feels like the band are taking you along on their own personal journey and you’re not quite sure what you’re going to see. Which is another reason why they’re so good – this isn’t just your normal Trad-Doom-by-numbers release, as there’s a lot more going on here, hidden in plain sight.
There’s a wide range of song lengths on this release, from the short to the very long. Lighter, rockier moments share space with Doomier ones and the overall impression is of a well-thought-out album that has all of its bases covered for what it wants to achieve.
The singer’s voice is charismatic and easily-likeable. His performance is first-rate and speaks of a confidence of delivery honed through experience.
Very nice. Very enjoyable.