Barshasketh/Void Ritual – Split (Review)

Barshasketh Void RitualBarshasketh are based in Scotland and Void Ritual hail from the US. Both bands play Black Metal.

Barshasketh play occult Black Metal with an aura of dark majesty. They contribute two tracks to this split, 17 minutes in length.

The first song is named Palingenesis and immediately demonstrates the band’s quality songwriting and ritualistic riffing.

The music is played at all speeds, from a roaming crawl to blasting spite, and Barshasketh sound on top form either way.

Dominion of Ashes is the next track, and it allays any fears you might have of Palingenesis being a fluke; this song is just as good, if not better than the first.

Featuring Blackened riffs that immediately capture your attention and ice-cold vocals forged from malice, Barshasketh once more proceed to blow me away.

The sound is first rate throughout and this is a very impressive introduction to the band.

For fans of Marduk, Deathspell Omega, Watain and the like.

Void Ritual’s 2014 EP Holodomor was very enjoyable indeed, and they return here with a further three songs, 15 minutes in length.

Void Ritual have shorter songs and are an altogether faster proposition in general than Barshasketh.

Heaven’s Gate rips out of the speakers with venom and razorblades, demonstrating everything that I enjoyed about their earlier EP. If anything though, Void Ritual sound more professional now than they did previously.

Not that this is some sterile, ultra-polished commercial hit machine of course; this is still underground Black Metal through and through. It is, however, tight, focused and boasts a sound that’s as evil as it is satisfying.

Benevolent Mother is up next and continues Void Ritual’s penchant for writing enticing riffs that manage to scream Black Metal whilst at the same time sounding a bit different from the norm.

One of the things that attracted me to this band in the first place is that they may be playing a well-worn style but they do it with enough differences and personality quirks to make them stand out from the pack.

The final song is Temple of the Sun and this continues on where the last two left off; engaging riffs, Devilish atmosphere, roaring screams and top songsmithing. There’s nothing to not like here.

After how good the Barshasketh songs proved to be I was concerned that Void Ritual’s side of the split might be somewhat of a let-down. How stupid of me. Void Ritual can hold their own easily enough and remind me of how much I like their output. There’s just something about them.

These two bands play different facets of Black Metal that complement each other perfectly. Topped off with some excellent artwork this is one split you don’t want to miss.

Nidsang – Into the Womb of Dissolving Flames (Review)

NidsangNidsang are from Sweden and this is their second album of Black Metal.

This is Swedish Black Metal that’s violent and possessed with the rage of the storm. Nidsang want to kill and want to do so at great speed whilst seemingly paradoxically taking their time to do so as well.

This translates to songs that are filled with fast riffing and blasting drums but rather than wear themselves out early and peter off into the blackness Nidsang’s songs are longer than you might expect for anthems this deadly and hate-fuelled.

They love to play fast, of course, but when they slow down to a mid-paced groove they also show they can throw out some tasty riffs. I also like the inclusion of guitar solos, which although not as rare as they used to be, certainly aren’t Black Metal staples.

The singer barks out his disdain for all things holy with rather a growl-tinged scream that doesn’t sound completely human any more.

Nidsang offer us 8 hymns to the darkness spread out over just under 43 minutes. For a rough idea of the area that Nidsang operate in, think Marduk, Watain, Setherial, etc. – fast and vicious Black Metal that is sharp enough to cut someone into ribbons.

It may be nothing new but that’s not the point. There’s something elemental and primal about this kind of Black Metal, and Nidsang play it well.

Check out Into the Womb of Dissolving Flames and see what dark imagery they can conjure up for you.

Frozen Dawn – Those of the Cursed Light (Review)

Frozen DawnFrozen Dawn are a Spanish Black Metal band with a penchant for all things Swedish.

The band are influenced by bands such as Watain, Naglfar and Dissection, and as such the guitars are scything and icy, with the vocals as sharp as a barb and a solid rhythmic underpinning.

Frozen Dawn have a good grasp of melodics and the tunes melt through the hands like thawing snow.

A lot of these songs are surprisingly catchy; tracks like Blackened March have infections guitar riffs and Blackened grooves to die for. This is a theme repeated throughout the 53 minutes of this enjoyable album.

The band ably create the atmosphere of a Blackened winter’s day, with ice crystals as far as the horizon.

A good album, and recommended. Give them a listen.

Verbum Verus – Melkiresha (Review)

Verbum VerusUnholy Black Metal from the Netherlands – this album is a powerhouse of occult music, straining at the walls of reality and communing with the dread beings that lie beyond.

Things start out very promising indeed with the opening hymn The Fourth Kingdom – a 10 minute Black Metal master-class in modern darkness. From here things progress nicely through the album with every song contributing something to the whole. The final song is an ambient invocation that ends things appropriately.

Solid songwriting and an evil atmosphere mean this album evokes the imagery of the underworld and has the musical class to carry it off without sounding like a pretender to the Black Metal throne. A good sound, good playing and impassioned vocals elevate this above the hordes to deliver what is, in essence, a modern Black Metal album that can hold its head up proud and stand tall alongside the Watain’s and Deathspell Omega’s of the world.

Really enjoyable. Highly recommended for anyone who enjoys variety and passion – demonic darkness from the Netherlands.