Manes – Teeth, Toes And Other Trinkets (Review)

ManesNorwegian band Manes have released this anthology album that collects together alternative versions, unreleased, obscure and live songs.

This is of the Avant-Garde style, replete with dark melodicism and atmosphere. It’s heavy on the electronics and effects, both of which are used skilfully to craft memorable songs and melodies.

Even if these tracks are essentially B-sides, the talent of the band is still apparent. Combined with the soulful, melancholic vocals the tracks portray the same kind of depth and nostalgic feelings as some of the best of 80’s pop/Darkwave music.

Some of the songs are unfinished or works-in-progress, but as a whole the album works surprisingly well and doesn’t sound as disjointed as one might expect from a release of this nature.

A quality band with quality songs; even though they are off-cuts this is an enjoyable collection. This should appeal to more than just completists and also serves to adequately whet the appetite for the next album that this always-evolving band release.

Lethe – When Dreams Become Nightmares (Review)

LetheFormed by members of Manes and Eluveitie, Lethe play dark and multi-textured experimental music.

Combining the best parts of Rock, Post-Rock, Electronica and Metal to create 10 tracks of emotive songs that instantly capture your attention while also having enough depth to keep you satiated in the long run. Bands such as Ulver, Arcturus and Manes are the obvious starting points and Lethe should definitely appeal to fans of these groups.

The main vocalist is a very talented person. Her vocals are exceptional and she shows great range across the album. She has great character and talent, and infuses both of these into every song to create the right mood for each. The occasional male vocals that swim in and out of the various tracks simply add another dimension to the proceedings.

The music doesn’t let the side down though – each song is crafted to a high standard by experienced personnel who know exactly what to do to achieve the effect that they want. The songs are passionate and dark, with Gothic Rock stamped all over some of them but not in a commercial stadium-friendly way, rather in a more personal way that allows you to have a relationship with the actual songs rather than some stylised version that will eventually become stale due to overexposure and lack of substance. This is female fronted Rock for people that don’t like female fronted Rock.

This is an astoundingly good album that combines catchiness and intellect to produce sophisticated dark Rock. What a fantastic way to start off 2014.