This is the second album from Belgian post-metal/sludge band Pothamus.
Following on from 2020’s enjoyable Raya, Pothamus have returned with 47 minutes of new material in the shape of Abur. The band have taken their past work and made it even more atmospheric and nuanced, treating us to an evocative blend of post-metal, post-rock, and drone.
Abur is an album of deep atmosphere, first and foremost. Pothamus have focused on crafting immersive soundscapes from textured materials across the six tracks. All of the various instruments and influences are taken by the band and used to write music that speaks in a strong voice of its own. A range of creative ideas are utilised, realised sometimes through atypical instruments such as the surpeti, as well as more standard ones. A feeling-rich combination of harsh and clean vocals are added to this mix, and both are as well-performed as everything else here.
The songs drip with emotion and are hypnotic in their ritualistic intensity. It’s mood-focused, and Pothamus have developed their sound into less-heavy, increasingly droning and ceremonial-sounding waters. It works a treat. The band benefit greatly from this high quality approach, and it makes for remarkably expressive and emotive music.
Pothamus build their music one layer at a time, weaving graceful strands of sound together to construct songs that wrap tightly around the listener, while also leaving plenty of room to move and breathe. This is an album that draws you in closer and closer; Abur is a true record to lose yourself in.
Raya was a very good record, but Abur offers a fuller experience. It’s a textured work of atmospheric drone laced with post-metal that captivates throughout. It’s an absorbing journey, especially if you give yourself over fully to its subtle charms.
Very highly recommended.
Wonderbox Metal 