Featuring 46 minutes of modern Metal, Elusive Reflections comes replete with symphonic and Power Metal accoutrements
My common complaint, echoed in other reviews, with this kind of thing is that sometimes the emphasis can be too much on the singer and not enough on the music, specifically the Metal content; thankfully this is not the case here, (otherwise this would never have made it to the review stage), and the band remember the importance of a good riff and being able to hear the guitars.
With that in mind, the singer is still the star of the show a lot of the time, as is usually the case with Power/Heavy Metal bands. Her voice is easily capable of being both powerful and understated, and she successfully acts as a focal point to the music without distracting from or overpowering it.
Appropriately, the music stands on its own merits and we even get extended sections that are bereft of vocals and also feature guitar solos, both of which are frequently absent in female-fronted Metal.
The symphonic and electronic elements are omnipresent, but are employed in much more of a restrained manner than that of some similar bands. You’d miss them if they were gone, but they’re not the main event.
These are catchy and memorable songs, with more depth and ability than you might give them credit for on first glance. Although it’s definitely of the style it purports to be, within these stylistic limitations there’s more variety here than you sometimes get with this kind of music and each song has its own story.
With a good working knowledge of what constitutes a decent song, the band plough through these 46 minutes with enthusiasm and class.