Playing Old-School/Traditional Death Metal, this is the follow-up to 2014’s impressive Ecdysis.
Following on from this previous release, Horrendous continue to offer a well-rounded Death Metal package, full of interesting riffs, decent melodies, intricate solos and actual well-thought-out songs.
Their approach to the material is refreshing, even given the Old-School nature of the music; it’s recognisable as instantly Old-School Death Metal but it doesn’t sound dated at all. Horrendous are one of the few bands that play this style who are trying to move it forwards rather than just wallowing in what was released decades ago.
There’s something deeply satisfying about this music. It demonstrates a band who are able to compose songs that have a lot of depth and atmosphere without ever devolving into filler-esque extremity or retro-parody. Horrendous have well and truly stamped their own personality and vision on a well-worn style.
Once again, the recording is warm and seems to pulsate with life. One of the things I enjoyed on Ecdysis was that you could hear the bass and on Anareta this is still the case.
The singer’s voice is still a pleasing mix of Obituary/Morbid Angel and he spends his time on Anareta providing a compelling focal point for the music.
On this latest album Horrendous demonstrate why they are quite rightly lauded as one of the best when it comes to this type of Death Metal. As much as I enjoyed Ecdysis I think on this latest album they’ve upped their game even more.
Impressive and essential.