Elddop has a heavy sound with the music sounding organic and lively; a well-produced rawness, if you will.
The band are quite melodic with their riffing. Typically the rhythm guitar lays down a firm, heavy foundation whilst the lead guitar adds colour and flavour over the top. Some of the riffs are quite inventive and the band gives a passionate performance.
The music is of the d-beat Crust variety but is not purely limited to this. The drums power the songs as the guitars make their melodic massacres. This style of music has its roots in the past in bands like Discharge, but a more modern point of reference would be Kvelertak I suppose.
Vocally we have savage shouts that sound hoarse and desperately urgent. It’s as if the singer can’t quite wait to blurt out what his message is, but he feels so disgusted by whatever he’s talking about that he can’t help but just shout it at the top of his lungs. It all adds a refreshing energy to the tracks. Thinking about it, he reminds me of the singer of At The Gates/Lock Up/etc., only deeper and a bit harsher.
Occupying that rarest of spaces where harshness and melodics meet, Martyrdöd have produced an enjoyable album that takes the Crust template, adds a little bit of Metal to it and then vomits vitriol and poisonous invective over everything.
Listen loud and let Martyrdöd shake your world.